...the evening of the following day was now the object of [Catherine's] expectation, the future good. What gown and what head-dress she should wear on the occasion became her chief concern. She cannot be justified in it. Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim. Catherine knew all this very well; her great aunt had read her a lecture on the subject only the Christmas before; and yet she lay awake ten minutes on Wednesday night debating between her spotted and her tamboured muslin, and nothing but the shortness of the time prevented her buying a new one for the evening.Northanger Abbey, ch.10
This would have been an error in judgment, great though not uncommon, from which one of the other sex rather than her own, a brother rather than a great aunt, might have warned her, for man only can be aware of the insensibility of man towards a new gown. It would be mortifying to the feelings of many ladies, could they be made to understand how little the heart of man is affected by what is costly or new in their attire; how little it is biased by the texture of their muslin, and how unsusceptible of peculiar tenderness towards the spotted, the sprigged, the mull, or the jackonet.
Woman is fine for her own satisfaction alone. No man will admire her the more, no woman will like her the better for it. Neatness and fashion are enough for the former, and a something of shabbiness or impropriety will be most endearing to the latter. But not one of these grave reflections troubled the tranquillity of Catherine.
Suppose a curious and fair woman. Some have seen the beauties of Heaven in such a person. It is a vain thing to say they loved too much. I dare say there are ten thousand beauties in that creature which they have not seen: they loved it not too much, but upon false causes. Nor so much upon false ones, as only upon some little ones. They love a creature for sparkling eyes and curled hair, lily breasts and ruddy cheeks which they should love moreover for being God's Image, Queen of the Universe, beloved by Angels, redeemed by Jesus Christ, an heiress of Heaven, and temple of the Holy Ghost: a mine and fountain of all virtues, a treasury of graces, and a child of God. But these excellencies are unknown. They love her perhaps, but do not love God more: nor men as much: nor Heaven and Earth at all. And so, being defective to other things, perish by a seeming excess to that.Thomas Traherne, Centuries of Meditations, 2:68.
We should be all Life and Mettle and Vigour and Love to everything; and that would poise us. I dare confidently say that every person in the whole world ought to be beloved as much as this: And she, if there be any cause of difference, more than she is. But God being beloved infinitely more, will be infinitely more our joy, and our heart will be more with Him, so that no man can be in danger by loving others too much, that loveth God as he ought.
The service of philosophy, of speculative culture, towards the human spirit, is to rouse, to startle it to a life of constant and eager observation. Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive to us, — for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy?
To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes any two persons, things, situations, seem alike. While all melts under our feet, we may well grasp at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, strange dyes, strange colours, and curious odours, or work of the artist's hands, or the face of one's friend. Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing of forces on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.
Walter Pater, The Renaissance: Studies in Art and Literature.