Shut out that stealing moon,
She wears too much the guise she wore
Before our lutes were strewn
With years-deep dust, and names we read
On a white stone were hewn.
Step not out on the dew-dashed lawn
To view the Lady's Chair,
Immense Orion's glittering form,
The Less and Greater Bear:
Stay in; to such sights we were drawn
When faded ones were fair.
Brush not the bough for midnight scents
That come forth lingeringly,
And wake the same sweet sentiments
They breathed to you and me
When living seemed a laugh, and love
All it was said to be.
Within the common lamp-lit room
Prison my eyes and thought;
Let dingy details crudely loom,
Mechanic speech be wrought:
Too fragrant was Life's early bloom,
Too tart the fruit it brought!
Richard Burton recorded a number of Hardy poems, and some of them are on youtube here. My favourite moment in this poem is the second line of the third verse, where the emphasis required by 'lingeringly' trips up the rhythm, and forces you to stop, to linger, on that word.
The image conjured up of stargazing on the 'dew-dashed lawn' reminded me of one of the sweetest, saddest moments in Mansfield Park, where the recollection of past stargazing illustrates the bond of intimacy between Edmund and Fanny, from which Edmund is gradually drawing away.
Miss Crawford had only time to say, in a pleasant manner, “I fancy Miss Price has been more used to deserve praise than to hear it”; when, being earnestly invited by the Miss Bertrams to join in a glee, she tripped off to the instrument, leaving Edmund looking after her in an ecstasy of admiration of all her many virtues, from her obliging manners down to her light and graceful tread.
“There goes good–humour, I am sure,” said he presently. “There goes a temper which would never give pain! How well she walks! and how readily she falls in with the inclination of others! joining them the moment she is asked. What a pity,” he added, after an instant’s reflection, “that she should have been in such hands!”
Fanny agreed to it, and had the pleasure of seeing him continue at the window with her, in spite of the expected glee; and of having his eyes soon turned, like hers, towards the scene without, where all that was solemn, and soothing, and lovely, appeared in the brilliancy of an unclouded night, and the contrast of the deep shade of the woods. Fanny spoke her feelings. “Here’s harmony!” said she. “Here’s repose! Here’s what may leave all painting and all music behind, and what poetry only can attempt to describe! Here’s what may tranquillise every care, and lift the heart to rapture! When I look out on such a night as this, I feel as if there could be neither wickedness nor sorrow in the world; and there certainly would be less of both if the sublimity of Nature were more attended to, and people were carried more out of themselves by contemplating such a scene.”
“I like to hear your enthusiasm, Fanny. It is a lovely night, and they are much to be pitied who have not been taught to feel, in some degree, as you do; who have not, at least, been given a taste for Nature in early life. They lose a great deal.”
“You taught me to think and feel on the subject, cousin.”
“I had a very apt scholar. There’s Arcturus looking very bright.”
“Yes, and the Bear. I wish I could see Cassiopeia.”
“We must go out on the lawn for that. Should you be afraid?”
“Not in the least. It is a great while since we have had any star–gazing.”
“Yes; I do not know how it has happened.” The glee began. “We will stay till this is finished, Fanny,” said he, turning his back on the window; and as it advanced, she had the mortification of seeing him advance too, moving forward by gentle degrees towards the instrument, and when it ceased, he was close by the singers, among the most urgent in requesting to hear the glee again.
Fanny sighed alone at the window till scolded away by Mrs. Norris’s threats of catching cold.