Showing posts with label George Herbert. Show all posts
Showing posts with label George Herbert. Show all posts

Friday, 25 July 2014

'Restless longing, heavenly avarice, that never could be satisfied': Roads and Pilgrims

Since it's the feast of St James, by medieval tradition the patron of pilgrims, here's a miscellany of texts touching on pilgrimages, roads, and seeking.

St James, attired as a pilgrim (1320s, Norwich; BL Stowe 12, f.279v)
The gode pilegrim halt eaver his rihte wei forth-ward. Thah he seo other here idele gomenes ant wundres bi the weie, he ne edstont nawt as foles doth, ah halt forth his rute ant hiheth toward his giste. He ne bereth na gersum bute his speonse gnedeliche, ne clathes bute ane theo thet him to neodeth. This beoth hali men the, thah ha beon i the world, ha beoth th'rin as pilegrimes ant gath with god lif-lade toward te riche of heovene, ant seggeth with the Apostle, Non habemus hic manentem civitatem, set futuram inquirimus - thet is, "nabbe we na wununge her, ah we secheth other." Beoth bi the leaste thet ha mahen, ne ne haldeth na tale of na worltlich frovre, thah ha beon i worltlich wei - as ich seide - of pilegrim, ah habbeth hare heorte eaver toward heovene, ant ahen wel to habben. For other pilegrimes gath [i] muche swinc to sechen ane sontes banes, as Sein James other Sein Giles, ah theo pilegrimes the gath toward heovene, ha gath to beon i-sontet, ant to finden Godd seolf ant alle his hali halhen, liviende i blisse, ant schulen livien with him i wunne buten ende. Ha i-findeth i-wis Sein Julienes in, the wei-fearinde men yeornliche bisecheth.

[The good pilgrim always keeps on his direct road forward. Although he may see or hear idle games and marvels beside the way, he does not stop, as fools do, but keeps on his road and hastens towards his lodging. He does not carry any treasure except his frugal expenses, and no clothes except only those which are necessary to him. These are holy men who, though they live in the world, live in it as pilgrims, and travel in a good way of living towards the kingdom of heaven, and say with the Apostle, Non habemus hic manentem civitatem, set futuram inquirimus; that is, we do not have a dwelling here, but we seek another. They make do with the least they can, and do not set any store by earthly comfort, though they are on the earthly road, as I said, as pilgrims; but their hearts are always directed towards heaven, and well they ought to be. For other pilgrims travel with great labour to seek the bones of a single saint, such as St James or St Giles, but these pilgrims, who travel towards heaven, go to be made saints and to find God himself and all his holy saints living in glory, and will live with him in joy without end. They truly find St Julian’s house, which wayfaring men earnestly seek.]

- from Ancrene Wisse

Canterbury Cathedral

I wol ful fayn, at Cristes reverence,
Do yow plesaunce leefful, as I kan.
But trusteth wel, I am a southren man,
I kan nat geeste 'rum, ram, ruf,' by lettre,
Ne, God woot, rym holde I but litel bettre;
And therfore, if yow list - I wol nat glose -
I wol yow telle a myrie tale in prose
To knytte up al this feeste, and make an ende.
And Jhesu, for his grace, wit me sende
To shewe yow the wey, in this viage,
Of thilke parfit glorious pilgrymage
That highte Jerusalem celestial...

Oure sweete lord God of hevene, that no man wole perisse, but wole that we comen alle to the knoweleche of hym, and to the blisful lif that is perdurable, amonesteth us by the prophete Jeremie, that seith in thys wyse: "stondeth upon the weyes, and seeth and axeth of olde pathes (that is to seyn, of olde sentences) which is the goode wey. And walketh in that wey, and ye shal fynde refresshynge for youre soules, etc." Manye been the weyes espirituels that leden folk to oure lord Jhesu Crist, and to the regne of glorie. Of whiche weyes, ther is a ful noble wey and ful covenable, which may nat fayle to man ne to womman that thurgh synne hath mysgoon fro the righte wey of Jerusalem celestial; and this wey is cleped penitence.

- Chaucer's Parson, telling the last tale of the Canterbury Pilgrimage (full text here)

The Parson in the Ellesmere Chaucer (from wikipedia)

Thanne hente Hope an horn of Deus tu conversus vivificabis nos
And blew it with Beati quorum remisse sunt iniquitate
That alle Seintes in hevene songen at ones,
Homines et iumenta salvabis, quemadmodum multiplicasti misericordiam tuam.
A thousand of men tho thrungen togideres,
Cride upward to Crist and to his clene moder
To have grace to go seke Truthe - God leve that they moten!
Ac there was wight noon so wys, the wey thider kouthe,
But blustreden forth as beestes over baches and hilles,
Til late was and longe, that thei a leode mette
Apparailled as a paynym in pilgrymes wise.
He bar a burdoun ybounde with a brood liste
In a withwynde wise ywounden aboute.
A bolle and a bagge he bar by his syde.
An hundred of ampulles on his hat seten,
Signes of Synay and shelles of Galice,
And many a crouch on his cloke, and keyes of Rome,
And the vernicle bifore, for men sholde knowe
And se bi hise signes whom he sought hadde.
This folk frayned hym first fro whennes he come.
"Fram Synay," he seide, "and fram the Sepulcre.
In Bethlem and in Babiloyne, I have ben in bothe,
In Armonye, in Alisaundre, in manye othere places.
Ye may se by my signes that sitten on myn hatte
That I have walked ful wide in weet and in drye
And sought goode seintes for my soule helthe."
"Knowestow aught a corsaint," quod thei, "that men calle Truthe?
Koudestow wissen us the wey wher that wye dwelleth?"
"Nay, so me God helpe!" seide the gome thanne.
"I seigh nevere palmere with pyk ne with scrippe
Asken after hym er now in this place."

"Peter!" quod a Plowman, and putte forth his hed,
"I knowe hym as kyndely as clerk doth hise bokes.
Conscience and Kynde Wit kenned me to his place
And diden me suren hym siththen to serven hym for evere,
Bothe to sowe and to sette the while I swynke myghte.
I have ben his folwere al this fourty wynter--
Bothe ysowen his seed and suwed hise beestes,
Withinne and withouten waited his profit,
Idyked and idolve, ido that he hoteth.
Som tyme I sowe and som tyme I thresshe,
In taillours craft and tynkeris craft, what Truthe kan devyse,
I weve and I wynde and do what Truthe hoteth.
For though I seye it myself, I serve hym to paye;
I have myn hire of hym wel and outherwhiles moore.
He is the presteste paiere that povere men knoweth:
He withhalt noon hewe his hire that he ne hath it at even.
He is as lowe as a lomb and lovelich of speche.
And if ye wilneth to wite where that he dwelleth,
I wol wisse yow wel right to his place."
"Ye, leve Piers!" quod thise pilgrimes, and profred hym huyre.
"Nay, by the peril of my soule!" quod Piers and gan to swere,
"I nolde fange a ferthyng, for Seint Thomas shryne!
Truthe wolde love me the lasse a long tyme after."

- Piers Plowman, Passus V

St James (c.1500, from Westhall)

I travell'd on, seeing the hill, where lay
My expectation.
A long it was and weary way.
The gloomy cave of Desperation
I left on th'one, and on the other side
The rock of Pride.

And so I came to Phansies medow strow'd
With many a flower:
Fair would I here have made abode,
But I was quicken'd by my houre.
So to Cares cops I came, and there got through
With much ado.

That led me to the wilde of Passion, which
Some call the wold;
A wasted place, but sometimes rich.
Here I was robb'd of all my gold,
Save one good Angell, which a friend had ti'd
Close to my side.

At length I got unto the gladsome hill,
Where lay my hope,
Where lay my heart; and climbing still,
When I had gain'd the brow and top,
A lake of brackish waters on the ground
Was all I found.

With that abash'd and struck with many a sting
Of swarming fears,
I fell, and cry'd, Alas my King;
Can both the way and end be tears?
Yet taking heart I rose, and then perceiv'd
I was deceiv'd:

My hill was further: so I flung away,
Yet heard a crie
Just as I went, None goes that way
And lives: If that be all, said I,
After so foul a journey death is fair,
And but a chair.

- George Herbert, 'The Pilgrimage'

Pilgrims' crosses, Stodmarsh

Friends and loves we have none, nor wealth nor blessed abode,
But the hope of the City of God at the other end of the road.

Not for us are content, and quiet, and peace of mind,
For we go seeking a city that we shall never find.

There is no solace on earth for us - for such as we -
Who search for a hidden city that we shall never see.

Only the road and the dawn, the sun, the wind, and the rain,
And the watch fire under stars, and sleep, and the road again.

We seek the City of God, and the haunt where beauty dwells,
And we find the noisy mart and the sound of burial bells.

Never the golden city, where radiant people meet,
But the dolorous town where mourners are going about the street.

We travel the dusty road till the light of the day is dim,
And sunset shows us spires away on the world's rim.

We travel from dawn to dusk, till the day is past and by,
Seeking the Holy City beyond the rim of the sky.

Friends and loves we have none, nor wealth nor blest abode,
But the hope of the City of God at the other end of the road.

- John Masefield, 'The Seekers'

South Elmham St James, Suffolk

Bearwas blostmum nimað, byrig fægriað,
wongas wlitigað, woruld onetteð;
ealle þa gemoniað modes fusne
sefan to siþe, þam þe swa þenceð
on flodwegas feor gewitan.
Swylce geac monað geomran reorde,
singeð sumeres weard, sorge beodeð
bitter in breosthord. þæt se beorn ne wat,
esteadig secg, hwæt þa sume dreogað
þe þa wræclastas widost lecgað.
Forþon nu min hyge hweorfeð ofer hreþerlocan,
min modsefa mid mereflode
ofer hwæles eþel hweorfeð wide,
eorþan sceatas, cymeð eft to me
gifre ond grædig, gielleð anfloga,
hweteð on hwælweg hreþer unwearnum
ofer holma gelagu. Forþon me hatran sind
dryhtnes dreamas þonne þis deade lif,
læne on londe.

The woods take on blossoms, towns become fair,
fields grow beautiful, the world hastens on;
all these things urge on the eager mind,
the spirit to the journey, in one who thinks to travel
far on the paths of the sea.
The cuckoo too gives warning with mournful voice,
summer's watchman sings, foretells sorrow,
bitter in the heart. Of this that man knows nothing,
the warrior blessed with wealth, what some endure
who furthest tread the paths of exile.
And so now my spirit roams beyond the confines of the heart,
my spirit over the sea-flood;
it wanders wide over the whale's home,
the expanse of the earth, and comes back to me
eager and greedy; the lone flier cries,
incites the heart to the whale's way, irresistible,
across the ocean's floods. And so to me
the joys of the Lord are warmer than this dead life,
lent on land.

- 'The Seafarer'


(Halted around the fire by night, after moon-set, they sing this beneath the trees)

What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find? . . .
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire. . . .

Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers. . . .

Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning! . . .
The fires we left are always burning
On the old shrines of home. Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death. . . .

O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing - to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.

- Rupert Brooke, 'The Song of the Pilgrims'

'Christ and the pilgrims' on the road to Emmaus (BL Yates Thompson 13, f.127v)
There are primal things which move us. Fire has the character of a free companion that has traveled with us from the first exile; only to see a fire, whether he need it or no, comforts every man. Again, to hear two voices outside at night after a silence, even in crowded cities, transforms the mind. A Roof also, large and mothering, satisfies us here in the north much more than modern necessity can explain; so we built in the beginning: the only way to carry off our rains and to bear the weight of our winter snows. A Tower far off arrests a man’s eye always: it is more than a break in the sky-line; it is an enemy’s watch or the rallying of a defence to whose aid we are summoned. Nor are these emotions a memory or a reversion only as one crude theory might pretend; we craved these things - the camp, the refuge, the sentinels in the dark, the hearth - before we made them; they are part of our human manner, and when this civilisation has perished they will reappear.

Of these primal things the least obvious but the most important is The Road. It does not strike the sense as do those others I have mentioned; we are slow to feel its influence. We take it so much for granted that its original meaning escapes us. Men, indeed, whose pleasure it is perpetually to explore even their own country on foot, and to whom its every phase of climate is delightful, receive, somewhat tardily, the spirit of The Road. They feel a meaning in it; it grows to suggest the towns upon it, it explains its own vagaries, and it gives a unity to all that has arisen along its way. But for the mass The Road is silent; it is the humblest and the most subtle, but, as I have said, the greatest and the most original of the spells which we inherit from the earliest pioneers of our race. It was the most imperative and the first of our necessities. It is older than building and than wells; before we were quite men we knew it, for the animals still have it to-day; they seek their food and their drinking-places, and, as I believe, their assemblies, by known tracks which they have made.

It is easy to re-create in oneself to-day a sense of what the Road means to living things on land: it is easy to do it even in this crowded country. Walk, for instance, on the neglected Pennines along the watershed of England, from Malham Tarn, say, to Ribblehead, or from Kirkby Stephen up along the crest to Crossfell and so to Alston, and you will learn at once what follows on an untouched soil from the absence of a track of a guide. One ravine out of the many radiating from a summit will lead to the one valley you seek; take another stream and you are condemned at last to traverse mountains to repair the error. In a fog or at night, if one has not such a path, there is nothing to help one but the lay of the snow or the trend of the vegetation under the last gale. In climbing, the summit is nearly always hidden, and nothing but a track will save you from false journeys. In descent it alone will save you a precipice or an unfordable stream. It knows upon which side an obstacle can be passed, where there is firm land in a morass, and where there is the best going; sand or rock - dry soil. It will find what nothing but long experiment can find for an individual traveller, the precise point in a saddle or neck where approach is easiest from either side, and everywhere the Road, especially the very early Road, is wiser than it seems to be...

To study something of great age until one grows familiar with it and almost to live in its time, is not merely to satisfy a curiosity or to establish aimless truths: it is rather to fulfil a function whose appetite has always rendered History a necessity. By the recovery of the Past, stuff and being are added to us; our lives which, lived in the present only, are a film or surface, take on body - are lifted into one dimension more. The soul is fed. Reverence and knowledge and security and the love of a good land - all these are increased or given by the pursuit of this kind of learning. Visions or intimations are confirmed. It is excellent to see perpetual agony and failure perpetually breeding the only enduring things; it is excellent to see the crimes we know ground under the slow wheels whose ponderous advance we can hardly note during the flash of one human life. One may say that historical learning grants men glimpses of life completed and a whole; and such a vision should be the chief solace of whatever is mortal and cut off imperfectly from fulfilment...

For my part I desired to step exactly in the footprints of such ancestors. I believed that, as I followed their hesitations at the river crossings, as I climbed where they had climbed to a shrine whence they also had seen a wide plain, as I suffered the fatigue they suffered, and laboriously chose, as they had chosen, the proper soils for going, something of their much keener life would wake again in the blood I drew from them, and that in a sort I should forget the vileness of my own time, and renew for some few days the better freedom of that vigorous morning when men were already erect, articulate, and worshipping God, but not yet broken by complexity and the long accumulation of evil. It was perhaps a year ago that I determined to follow and piously to recover the whole of that doubtful trail whereby they painfully made their way from one centre of their common life to the sea, which was at once their chief mystery and their only passage to the rest of their race - from Hampshire to the Straits of Dover.
- Hilaire Belloc, following the Pilgrims' Way from Winchester to Canterbury in 'The Old Road'


From my current favourite pilgrims, A Walk Around Britain

There are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill just as you did. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head to see them on the road behind me.

- A Canterbury Tale (1944)


For giving me desire,
An eager thirst, a burning ardent fire,
A virgin infant flame,
A love with which into the world I came,
An inward hidden heavenly love,
Which in my soul did work and move,
And ever, ever me inflame
With restless longing, heavenly avarice,
That never could be satisfied,
That did incessantly a paradise
Unknown suggest, and something undescribed
Discern, and bear me to it; be
Thy name forever praised by me.

My parched and withered bones
Burnt up did seem; my soul was full of groans;
My thoughts extensions were:
Like paces, reaches, steps they did appear;
They somewhat hotly did pursue,
Knew that they had not all their due,
Nor ever quiet were.
But made my flesh like hungry, thirsty ground,
My heart a deep profound abyss,
And every joy and pleasure a wound,
So long as I my blessedness did miss.
Oh happiness! A famine burns,
And all my life to anguish turns!

Where are the silent streams,
The living waters and the glorious beams,
The sweet reviving bowers,
The shady groves, the sweet and curious flowers,
The springs and trees, the heavenly days,
The flow'ry meads, and glorious rays,
The gold and silver towers?
Alas! all these are poor and empty things!
Trees, waters, days, and shining beams,
Fruits, flowers, bowers, shady groves, and springs,
No joy will yield, no more than silent streams;
Those are but dead material toys,
And cannot make my heavenly joys.

O love! Ye amities,
And friendships that appear above the skies!
Ye feasts and living pleasures!
Ye senses, honors, and imperial treasures!
That satisfy all appetites!
Ye sweet affections, and
Ye high respects! Whatever joys there be
In triumphs, whatsoever stand
In amicable sweet society,
Whatever pleasures are at His right hand,
Ye must before I am divine
In full propriety be mine.

This soaring, sacred thirst,
Ambassador of bliss, approached first,
Making a place in me
That made me apt to prize, and taste, and see.
For not the objects but the sense
Of things doth bliss to our souls dispense,
And make it, Lord, like Thee.
Sense, feeling, taste, complacency, and sight,
These are the true and real joys,
The living, flowing, inward, melting, bright,
And heavenly pleasures; all the rest are toys;
All which are founded in desire,
As light in flame and heat in fire.

- Thomas Traherne

Saturday, 21 December 2013

The Sonne

As a kind of follow-up to my post on 'O Oriens', and as appropriate for the Winter Solstice, this is George Herbert's 'The Sonne'. Metaphysical poets liked this particular felicity of the English language as much as their Anglo-Saxon forebears did.


Let forrain nations of their language boast,
What fine varietie each tongue affords:
I like our language, as our men and coast:
Who cannot dresse it well, want wit, not words.
How neatly doe we give one onely name
To parents issue and the sunnes bright starre!
A sonne is light and fruit; a fruitfull flame
Chasing the fathers dimnesse, carri’d farre
From the first man in th’ East, to fresh and new
Western discov’ries of posteritie.
So in one word our Lords humilitie
We turn upon him in a sense most true:
For what Christ once in humblenesse began,
We him in glorie call, The Sonne of Man.

Saturday, 5 January 2013

'My hill was further'

This season, towards Epiphany, makes me think about poems of journeying and pilgrimage, such as John Masefield's 'The Seekers', or Rupert Brooke's 'The Song of the Pilgrims'. So this is George Herbert's poem 'The Pilgrimage'.


I travell'd on, seeing the hill, where lay
My expectation.
A long it was and weary way.
The gloomy cave of Desperation
I left on th'one, and on the other side
The rock of Pride.

And so I came to Phansies medow strow'd
With many a flower:
Fair would I here have made abode,
But I was quicken'd by my houre.
So to Cares cops I came, and there got through
With much ado.

That led me to the wilde of Passion, which
Some call the wold;
A wasted place, but sometimes rich.
Here I was robb'd of all my gold,
Save one good Angell, which a friend had ti'd
Close to my side.

At length I got unto the gladsome hill,
Where lay my hope,
Where lay my heart; and climbing still,
When I had gain'd the brow and top,
A lake of brackish waters on the ground
Was all I found.

With that abash'd and struck with many a sting
Of swarming fears,
I fell, and cry'd, Alas my King;
Can both the way and end be tears?
Yet taking heart I rose, and then perceiv'd
I was deceiv'd:

My hill was further: so I flung away,
Yet heard a crie
Just as I went, None goes that way
And lives: If that be all, said I,
After so foul a journey death is fair,
And but a chair.

Thursday, 27 December 2012

Twelve Days of Carols, 2: The Sun of Grace


All the merrier is that place,
The sun of grace him shineth in.


1. The sun of grace him shineth in
On a day when it was morrow,
When our Lord God born was,
Without sin or sorrow.

2. The sun of grace him shineth in
On a day when it was Prime,
When our Lord God born was,
So well he knew his time.

3. The sun of grace him shineth in
On a day when it was Undern.
When our Lord God born was,
And to the heart stungen. [pierced]

4. The sun of grace him shineth in
On a day when it was None,
When our Lord God born was,
And on the rood done. [put to death]




This carol immediately appealed to me when I first saw it, mostly because the refrain is so pretty.  It's somewhat difficult to parse, but the general idea is clear enough, so for once let's not worry about the grammar.  The carol is from the manuscript Sloane 2593, home of many now-famous carols including 'Adam lay ibounden', 'Lullay myn lykyng', 'I syng of a mayden', etc.  It has something of the folk-song about it, making use of the repetition you find in counting songs and game songs.  There are plenty of such songs from the Middle Ages on both secular and sacred subjects; this carol probably fits in best somewhere between the 'Seven Joys of Mary' songs and 'Tomorrow shall be my dancing day', which also tell the story of Christ's life from birth to death in an incremental, repetition-with-variation kind of way.

The frame for the counting in this case is provided by the canonical hours for the morning from Matins ('morrow') to midday - nicely aligning the 'sun of grace' with the sun rising through the day.  In the modernised version above I've swapped round the last two verses from the original (which you can see below) because I think it makes more sense that way: the last line means 'died on the cross', and so really should come before 'pierced to the heart'.  It's not clear whether 'non' means noon (the sixth hour) or None (the ninth hour), and 'undern' can refer either to Tierce (the third hour) or midday/noon.  But again, you get the general idea.



Al the meryere is that place,
The sunne of grace hym schynit in.

1. The sunne of grace hym schynit in
In on day quan it was mor[we],
Quan our Lord God born was,
Withoute wem or sorwe.

2. The sunne of grace hym schynit in
On a day quan it was pryme,
Quan our Lord God born was,
So wel he knew his tyme.

3. The sunne of grace hym schynit in,
On a day quan it was non,
Quan our Lord God born was,
And on the rode don.

4. The sunne of grace hym schynit in,
On a day quan it was undy[rn].
Quan our Lord God born was,
And to the herte stongyn.


I was writing this post yesterday when I came across George Herbert's poem 'Christmas', the first part of which I posted yesterday. This is the second part:

The shepherds sing; and shall I silent be?
My God, no hymn for Thee?
My soul's a shepherd too; a flock it feeds
Of thoughts, and words, and deeds.
The pasture is Thy word: the streams, Thy grace
Enriching all the place.
Shepherd and flock shall sing, and all my powers
Outsing the daylight hours.
Then will we chide the sun for letting night
Take up his place and right:
We sing one common Lord; wherefore he should
Himself the candle hold.
I will go searching, till I find a sun
Shall stay, till we have done;
A willing shiner, that shall shine as gladly,
As frost-nipped suns look sadly.
Then will we sing, and shine all our own day,
And one another pay:
His beams shall cheer my breast, and both so twine,
Till ev'n His beams sing, and my music shine.


'A willing shiner' is such an odd, and yet lovely way to describe the 'sun of grace'!  I think 'outsing the daylight hours' must also be in part a reference to the canonical hours our medieval poet made the basis for his carol, which makes this a particularly serendipitous discovery.  At the end of Herbert's poem there is a fusion of sound and light: the sun sings, and the poet's music shines.  Sometimes a single word can highlight a thought like a laser-beam, like a shaft of sunlight, and today's word is shine - appearing four times in Herbert's last six lines, and the key word of the carol.  I wonder what it means.


The pictures in this post are from the church of St Mary the Virgin at the tiny village of Lydden, near Dover in Kent. I stopped at the church, unplanned, on the way somewhere else, one winter's day early last January, when the frost-nipped sun of grace was shining in as gladly as one could desire.

Wednesday, 26 December 2012

George Herbert, 'Christmas'

All after pleasures as I rid one day,
My horse and I, both tired, body and mind,
With full cry of affections, quite astray,
I took up in the next inn I could find.

There when I came, whom found I but my dear,
My dearest Lord, expecting till the grief
Of pleasures brought me to him, ready there
To be all passengers' most sweet relief?

O Thou, whose glorious, yet contracted light,
Wrapt in night's mantle, stole into a manger;
Since my dark soul and brutish is thy right,
To Man of all beasts be not thou a stranger:

Furnish & deck my soul, that thou mayst have
A better lodging then a rack or grave.

Sunday, 25 November 2012

When my devotions could not pierce thy silent ears

Denial
George Herbert

When my devotions could not pierce
Thy silent ears;
Then was my heart broken, as was my verse:
My breast was full of fears
And disorder:

My bent thoughts, like a brittle bow,
Did fly asunder:
Each took his way; some would to pleasures go,
Some to the wars and thunder
Of alarms.

As good go any where, they say,
As to benumb
Both knees and heart, in crying night and day,
Come, come, my God, O come,
But no hearing.

O that thou shouldst give dust a tongue
To cry to thee,
And then not hear it crying! all day long
My heart was in my knee,
But no hearing.

Therefore my soul lay out of sight,
Untuned, unstrung:
My feeble spirit, unable to look right,
Like a nipped blossom, hung
Discontented.

O cheer and tune my heartless breast,
Defer no time;
That so thy favours granting my request,
They and my mind may chime,
And mend my rhyme.

Friday, 12 October 2012

When broom bears apples and hemlock bears honey

This is a poem or song from a fifteenth-century manuscript of songs and carols, which includes among many others this carol of the Virgin Mary, and the Annunciation carol 'Tidings true'. Today's poem is on a very conventional theme, the untrustworthiness and instability of the world, but this is a particularly neat expression of the idea. The rhetorical impossibilia are my favourite bit, promising that true rest can be found in this world only 'when broom bears apples and hemlock bears honey'.


Wold God that men might sene
Hertes whan they bene,
For thinges that bene untrew.
If it be as I wene,
Thing that semeth grene
Is ofte faded of hew.


Will is tak for reson;
Trew love is full geson;
No man sett be shame.
Trost is full of treson;
Eche man oderes cheson;
No man him seilfe will blame.

This warlde is variabell;
Nothing therein is stable,
Asay now who so will.
Sin it is so mutable,
How shuld me be stable?
It may not be thorow skill.

Whan brome will appelles bere,
And humloke hony in fere,
Than seke rest in lond.
With men is no pees;
Ne rest in hart is, no lese,
With few be see and sond.

Sithen there is no rest,
I hold it for the best,
God to be our frend,
He that is our Lord,
Deliver us out with his word,
And graunt us a good ende!

A rough translation:

Would to God that men could see
Hearts as they really be,
As things that are untrue;
For if it be as I ween, [believe]
Things that seem green [i.e. fresh]
Are often faded in hue.

Self-will is mistaken for reason;
True love is very scarce;
No one cares for shame.
Trust is full of treason;
Every man accuses someone else,
But no one himself will blame.

This world is variable,
Nothing therein is stable;
Let anyone test it who will.
Since it is so mutable,
How can anyone be stable? [secure]
Reason says this cannot be.

When a broom-bush bears apples,
And hemlock bears honey,
Then look for rest in this world.
Among men is no peace;
Rest in heart belongs to few,
Truly, by sea or by shore.

Since there is no rest,
I hold it for the best
To take God as our friend.
May he who is our Lord
Deliver us by his word,
And grant us a good end.

God resting (BL Egerton 1894)

Monday, 28 May 2012

George Herbert's 'Whitsunday'

Listen sweet Dove unto my song,
And spread thy golden wings in me;
Hatching my tender heart so long,
Till it get wing, and flie away with thee.

Where is that fire which once descended
On thy Apostles? thou didst then
Keep open house, richly attended,
Feasting all comers by twelve chosen men.

Such glorious gifts thou didst bestow,
That th’ earth did like a heav’n appeare;
The starres were coming down to know
If they might mend their wages, and serve here.

The sunne, which once did shine alone,
Hung down his head, and wisht for night,
When he beheld twelve sunnes for one
Going about the world, and giving light.

But since those pipes of gold, which brought
That cordiall water to our ground,
Were cut and martyr’d by the fault
Of those, who did themselves through their side wound,

Thou shutt’st the doore, and keep’st within;
Scarce a good joy creeps through the chink:
And if the braves of conqu’ring sinne
Did not excite thee, we should wholly sink.

Lord, though we change, thou art the same;
The same sweet God of love and light:
Restore this day, for thy great name,
Unto his ancient and miraculous right.



I have a confession: I just don't get Pentecost (or Whitsun, or whatever you like to call it). Almost every other occasion in the church's year has some meaning for me, and if nothing else I can always make some kind of connection with the imagery or the music or the story of it, but Whitsun is just - there. And this is unfortunate, because you're meant to be all excited and spirit-filled and burning with passion (or whatever it was Ælfric was talking about in that sermon I posted earlier) and I really just never feel that way. I think it's because it's all rather intangible - ironically, for a feast which is about spirit becoming visible.  So for this reason I was interested to read today George Herbert's poem 'Whitsunday', in which he seems to reflect something of the same sense of disappointment - though maybe I'm reading my own feelings into it. He describes how glorious the first Pentecost was - so wonderful that the stars themselves "were coming down to know / If they might mend their wages [i.e. 'change their jobs'!] and serve here". At that time the Spirit, he says, 'kept open house' (that's a nice choice of phrase; it reminds me of what Herbert says elsewhere about what flowers do in winter), but now the door is shut: "Scarce a good joy creeps through the chink". Ouch. I think "if the braves of conqu’ring sinne / Did not excite thee, we should wholly sink" means something like 'if you weren't roused to action by the boasts of sinners, you'd just let us sink altogether'. And the last verse, while beautiful in itself, doesn't really resolve the question: Herbert comes back to belief in "the same sweet God of love and light" and suggests Pentecost isn't as good as it was once because we're not as good, since we change but God doesn't. Well, maybe. But for me, the image from this poem which lingers in the mind is that closed door.

Sunday, 20 May 2012

A Sunday Morning Hymn


The dawn of God’s dear Sabbath
Breaks o’er the earth again,
As some sweet summer morning
After a night of pain;
It comes as cooling showers
To some exhausted land,
As shade of clustered palm trees
’Mid weary wastes of sand.

Lord, we would bring for offering
Though marred with earthly soil,
Our week of earnest labour,
Of useful daily toil;
Fair fruits of self denial,
Of strong, deep love to Thee,
Fostered by Thine own Spirit
In our humility.

And, we would bring our burden
Of sinful thought and deed,
In Thy pure presence kneeling,
From bondage to be freed;
Our heart’s most bitter sorrow
For all Thy work undone;
So many talents wasted!
So few bright laurels won!

And with that sorrow mingling,
A steadfast faith, and sure,
And love so deep and fervent,
That tries to make it pure;
In His dear presence finding
The pardon that we need;
And then the peace so lasting,
Celestial peace indeed!

So be it, Lord, forever;
O may we evermore
In Jesus’ holy presence
His blessèd name adore,
Upon His peaceful Sabbath,
Within His temple walls—
Type of the stainless worship
In Zion’s golden halls.



This hymn is by Ada Cambridge Cross (1844-1926). I just discovered it, at the dawn of this Sunday morning. I have a fondness for literature in praise of Sundays, like George Herbert's beautiful poem of that name:

Sundays the pillars are,
On which heaven's palace arched lies:
The other days fill up the spare
And hollow room with vanities.
They are the fruitfull beds and borders
In God's rich garden: that is bare,
Which parts their ranks and orders.

The Sundays of man's life,
Thredded together on time's string,
Make bracelets to adorn the wife
Of the eternal glorious King.
On Sunday heaven's gate stands ope:
Blessings are plentiful and rife,
More plentiful then hope.


People always talk about how dull Sundays were in the days before Sunday trading, when the Sabbath was strictly kept, and I'm sure they could be tedious. But this is the other side of it, which you don't hear so much about: a true day of rest, set aside from the cares and business of the week - whether "useful daily toil" or "so many talents wasted/so few bright laurels won" - a day of reflection and peace, to make us stronger for the week ahead. No wonder this hymn calls it the 'dear Sabbath'.

Also, I really like the kind of self-referential hymn which pays attention to what people might be thinking as they gather in church. Modern church music often tries to do this and sometimes does it badly, focusing on us and focusing what we're doing (singing a new church into being, apparently) rather than God. But this strikes a nice balance between acknowledging that people may have worries on their mind, and pointing them upwards to the eternal Sabbath in "Zion's golden halls". It reminds me of 'Not for our sins alone', another hymn which is highly self-referential but nonetheless humble and devotional, and completely focused in the right direction. 'Hymns about hymns' are always something special: this, one of my favourites, speaks of the other end of the Sabbath day:

Our day of praise is done;
The evening shadows fall;
But pass not from us with the sun,
True Light that lightenest all.

Around the throne on high,
Where night can never be,
The white-robed harpers of the sky
Bring ceaseless hymns to thee.

Too faint our anthems here;
Too soon of praise we tire;
But O the strains, how full and clear,
Of that eternal choir!

Yet, Lord, to thy dear will
If thou attune the heart,
We in thine angels’ music still
May bear our lower part.

’Tis thine each soul to calm,
Each wayward thought reclaim,
And make our life a daily psalm
Of glory to thy name.

A little while, and then
Shall come the glorious end;
And songs of angels and of men
In perfect praise shall blend.


Have a happy Sunday!


Pictures: two sunny Suffolk churches, Aldeburgh (top) and Stoke-by-Nayland

Monday, 27 February 2012

Flowers that glide


George Herbert died on 1 March, 1633, but in some places he is commemorated today, 27 February. 'The Flower' is my favourite poem of his, and it's the perfect poem for this season when the spring flowers are coming tentatively to life.

There are some lovely things in this poem: I'll talk about gliding below but the other one I want to point out is the irresistible idea that the flowers in winter go to visit their 'mother-root', where they 'keep house unknown' - very much like John Donne's tree-sap which in winter 'doth seek the root below', but a more homely, cheerful kind of image.


The Flower

How fresh, O Lord, how sweet and clean
Are thy returns! ev’n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasure bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.

Who would have thought my shrivel’d heart
Could have recover’d greennesse? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather,
Dead to the world, keep house unknown.


These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an houre;
Making a chiming of a passing-bell,
We say amisse,
This or that is:
Thy word is all, if we could spell.

O that I once past changing were;
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Offring at heav’n, growing and groaning thither:
Nor doth my flower
Want a spring-showre,
My sinnes and I joining together;


But while I grow to a straight line;
Still upwards bent, as if heav’n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?

And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my onely light,
It cannot be
That I am he
On whom thy tempests fell all night.

These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can finde and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.


'We are but flowers that glide.' glide is one of those impossibly beautiful words where just reading the dictionary list of citations is like reading a piece of found poetry. To take just one or two medieval examples: in the Old English Andreas, a ship moves through the water 'as a bird glides through the heavens'; in Beowulf the sun 'glides' above the earth; a Middle English homily compares the penitent sinners' tears to 'burning embers that glide down their faces'; Havelok's blood pours from his wounds 'like water that glides from the well'...

In Old and Middle English and as late as Herbert's day, glide is associated with any kind of smooth movement - flying through the air, sailing, skating; the progress of the sun and moon across the sky, or of the sun's beams towards the earth; the swift movement of a weapon, running water, the glance of an eye, and things which slip or which, like time and life, just slip away. In a more abstract context, as the Middle English Dictionary shows, it could even be used of the relationship between the Holy Ghost and the other members of the Trinity - where we say the Spirit 'proceeds from the Father and the Son', several ME sources have 'the Ghost which glides from them both', appropriate perhaps because a gliding movement is imperceptible, impossible to track. Ghosts in the literal sense are of course especially associated with gliding: in medieval poetry I can't help thinking of Langland's triumphant assertion that no 'grisly ghost' may glide where the protecting shadow of the cross falls; and there is an unforgettable passage in the romance Sir Amadace where a knight's mysterious ghostly benefactor 'glode away as dew in the sun'.

In Herbert's line the sense of glide is 'pass away', with perhaps the kind of imperceptible 'melting' into death envisaged by John Donne:

As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
"Now his breath goes," and some say, "No."

I wouldn't exactly associate flowers with this kind of gliding away - I would have thought they wither too quickly - but it comes up several times in the Bible, of which Herbert was surely thinking here: man "cometh forth like a flower, and is cut down: he fleeth also as a shadow, and continueth not' (Job 14:2); "the days of man are but as grass: for he flourisheth as a flower of the field. For as soon as the wind goeth over it, it is gone: and the place thereof shall know it no more" (Psalm 103: 15-16); "all flesh is grass, and all the goodliness thereof is as the flower of the field; the grass withereth, the flower fadeth, because the spirit of the Lord bloweth upon it" (Isaiah 40:6-7). Strangely enough, or perhaps not so strangely, there's swift and smooth movement in all these passages. The fleeing shadow, the wind moving over the flower, the spirit of the Lord blowing upon it; any of those verbs might have called gliding to Herbert's mind. Shadows and spirits glide, as we saw above; and death, too, could glide, as in this fourteenth-century poem, another one full of fading flowers:

Ne is no quene so stark ne stour,
Ne no leuedy so bryht in bour
That ded ne shal by glyde.

Sunday, 19 June 2011

Sundays the pillars are/On which heav’ns palace arched lies




Sunday

George Herbert (of course)

O Day most calm, most bright,
The fruit of this, the next worlds bud,
Th’ indorsement of supreme delight,
Writ by a friend, and with his bloud;
The couch of time; cares balm and bay:
The week were dark, but for thy light:
Thy torch doth show the way.

The other dayes and thou
Make up one man; whose face thou art,
Knocking at heaven with thy brow:
The worky-daies are the back-part;
The burden of the week lies there,
Making the whole to stoup and bow,
Till thy release appeare.

Man had straight forward gone
To endlesse death: but thou dost pull
And turn us round to look on one,
Whom, if we were not very dull,
We could not choose but look on still;
Since there is no place so alone,
The which he doth not fill.

Sundaies the pillars are,
On which heav’ns palace arched lies:
The other dayes fill up the spare
And hollow room with vanities.
They are the fruitfull beds and borders
In Gods rich garden: that is bare,
Which parts their ranks and orders.

The Sundaies of mans life,
Thredded together on times string,
Make bracelets to adorn the wife
Of the eternall glorious King.
On Sunday heavens gate stands ope:
Blessings are plentifull and rife,
More plentifull then hope.

This day my Saviour rose,
And did inclose this light for his:
That, as each beast his manger knows,
Man might not of his fodder misse.
Christ hath took in this piece of ground,
And made a garden there for those
Who want herbs for their wound.

The rest of our Creation
Our great Redeemer did remove
With the same shake, which at his passion
Did th’ earth and all things with it move.
As Sampson bore the doores away,
Christs hands, though nail’d, wrought our salvation,
And did unhinge that day.

The brightnesse of that day
We sullied by our foul offence:
Wherefore that robe we cast away,
Having a new at his expence,
Whose drops of bloud paid the full price,
That was requir’d to make us gay,
And fit for Paradise.

Thou art a day of mirth:
And where the Week-dayes trail on ground,
Thy flight is higher, as thy birth.
O let me take thee at the bound,
Leaping with thee from sev’n to sev’n,
Till that we both, being toss’d from earth,
Flie hand in hand to heav’n!

Tuesday, 3 May 2011

The Windows

Lord, how can man preach thy eternall word?
He is a brittle crazie glasse:
Yet in thy temple thou dost him afford
This glorious and transcendent place,
To be a window, through thy grace.

But when thou dost anneal in glasse thy storie,
Making thy life to shine within
The holy Preachers, then the light and glorie
More rev'rend grows, and more doth win;
Which else shows wat'rish, bleak, and thin.

Doctrine and life, colours and light, in one
When they combine and mingle, bring
A strong regard and awe: but speech alone
Doth vanish like a flaring thing,
And in the eare, not conscience ring.

George Herbert

Thursday, 4 November 2010

Gratefulnesse

George Herbert, of course.


Thou that hast giv’n so much to me,
Give one thing more, a gratefull heart.
See how thy beggar works on thee
By art.

He makes thy gifts occasion more,
And sayes, If he in this be crost,
All thou hast giv’n him heretofore
Is lost.

But thou didst reckon, when at first
Thy word our hearts and hands did crave,
What it would come to at the worst
To save.

Perpetuall knockings at thy doore,
Tears sullying thy transparent rooms,
Gift upon gift, much would have more,
And comes.

This notwithstanding, thou wentst on,
And didst allow us all our noise:
Nay, thou hast made a sigh and grone
Thy joyes.

Not that thou hast not still above
Much better tunes, than grones can make;
But that these countrey-aires thy love
Did take.

Wherefore I crie, and crie again;
And in no quiet canst thou be,
Till I a thankfull heart obtain
Of thee:

Not thankfull, when it pleaseth me;
As if thy blessings had spare dayes:
But such a heart, whose pulse may be
Thy praise.

Monday, 5 April 2010

Rise, heart

Easter
George Herbert

Rise, heart; thy Lord is risen. Sing his praise
Without delayes,
Who takes thee by the hand, that thou likewise
With him mayst rise:
That, as his death calcined thee to dust,
His life may make thee gold, and much more just.

Awake, my lute, and struggle for thy part
With all thy art.
The crosse taught all wood to resound his name
Who bore the same.
His stretched sinews taught all strings, what key
Is best to celebrate this most high day.

Consort both heart and lute, and twist a song
Pleasant and long :
Or since all music is but three parts vied,
And multiplied ;
O let thy blessed Spirit bear a part,
And make up our defects with his sweet art.


I got me flowers to straw thy way ;
I got me boughs off many a tree :
But thou wast up by break of day,
And broughtst thy sweets along with thee.

The Sunne arising in the East,
Though he give light, and the East perfume ;
If they should offer to contest
With thy arising, they presume.

Can there be any day but this,
Though many sunnes to shine endeavour?
We count three hundred, but we misse :
There is but one, and that one ever.