Showing posts with label The Eleventh Century. Show all posts
Showing posts with label The Eleventh Century. Show all posts

Tuesday, 24 January 2017

Times and Seasons

My latest column for History Today can now be read online. Here's an extract:
Early medieval historians and scholars were fascinated by the calculation of time, and one of the most attractive insights into how they understood it is an Old English poem which survives in one of the manuscripts of the Anglo-Saxon Chronicle. It is usually known as the Menologium, though one might more poetically call it ‘The Beauties of the Year’, since that is really its subject. The poem moves through the calendar year, month by month, feast by feast, finding something to praise about every season in the traditional language of Old English poetry. It marks saints’ days, the 12 months, the two solstices and equinoxes, and the beginning of each of the four seasons, which are dated to the days halfway between each solstice and equinox. Every significant date or season receives its own brief lyrical description...

This is an exquisite combination of Old English poetry and medieval science. It serves a practical function by reminding the reader of important dates in the calendar, but its purpose is not primarily functional; more important is the relationship the poem explores between the interlocking cycles of the year, between the seasons and sacred time. The poem begins with Christmas (not January 1st) and opens: ‘Christ was born, glory of kings, at midwinter.’ After proceeding through the year, it ends with Christmas, too, reflecting the medieval understanding of the meaningful link between the astronomical and sacred calendars: Christ’s birth takes place in deepest winter, at the solstice, because it is a victory of light over darkness.

What fascinates about this poem is not only its praise of the glories of the natural year, but the fact that it was preserved in one of the manuscripts of the Anglo-Saxon Chronicle, the invaluable vernacular record of England’s early medieval history. What was the reasoning behind putting these two texts together, making the Menologium serve almost as a preface to the Chronicle? The Anglo-Saxon Chronicle also begins with the birth of Christ, but it locates the event not in reference to the season of midwinter but to a historical era: its first entry reads: ‘Octavian ruled 56 years, and in the 42nd year of his reign Christ was born.’ From that similar starting point the two texts follow their divergent courses, reckoning their different kinds of time.

Read the rest here. The manuscript in question is this one, where the poem opens with a beautiful initial 'C':


This is BL Cotton MS Tiberius B I, the C-text of the Anglo-Saxon Chronicle (other manuscripts of the Chronicle have different prefatory material). It's an eleventh-century manuscript, usually said to have been written either at Abingdon or at Christ Church, Canterbury. And here's the beginning of the Chronicle:

BL Cotton MS Tib. B I, f. 115v

The poem describes a single, unchanging liturgical year, and the Anglo-Saxon Chronicle a linear model of history dating from the Incarnation of Christ (Cristes geflæscnesse), but the timelines have numerous points of intersection. Many of the saints' days mentioned in the poem of course commemorate historical events: so the coming of the Magi, the feast of Epiphany in the annual cycle, is also an event in history recorded by the Chronicle (under the year 2 AD); the first entries of the Chronicle record the deaths of the apostles and early martyrs, who are each commemorated by annual feasts in the poem; the coming of St Augustine of Canterbury across the 'salt sea' to convert the Anglo-Saxons is mentioned in the poem (in the section for May) and in the Chronicle (under the year 596), and so on. What's more, the Chronicle frequently dates events by reference to feasts and liturgical seasons, as was common in the medieval period. The last entry in this version of the Chronicle, for the year 1066, contains a particularly memorable cluster of significant events dated to moments in the church's year: the year runs from the death of Edward the Confessor on 'Twelfth Day', through political crisis at Easter, Rogationtide, and the Nativity of the Virgin, to the very last event recorded, the Battle of Stamford Bridge, on 'the Vigil of St Matthew the Apostle'. That last tumultuous year (the last year of Anglo-Saxon history, in one sense) was full of surprises and upheavals; but even so the yearly cycle was stable and unchanging.

BL Cotton MS Tib. B I, f. 115

Crist wæs acennyd, cyninga wuldor, on midne winter... Between the Menologium and the beginning of the Anglo-Saxon Chronicle sits the wisdom poem now known as Maxims II (above). This poem, too, begins by musing on kings, power, and the passage of the seasons:

Cyning sceal rice healdan. Ceastra beoð feorran gesyne,
orðanc enta geweorc, þa þe on þysse eorðan syndon,
wrætlic weallstana geweorc. Wind byð on lyfte swiftust,
þunar byð þragum hludast. Þrymmas syndan Cristes myccle,
wyrd byð swiðost. Winter byð cealdost,
lencten hrimigost - he byð lengest ceald -
sumor sunwlitegost - swegel byð hatost -
hærfest hreðeadegost, hæleðum bringeð
geres wæstmas, þa þe him god sendeð.
Soð bið switolost, sinc byð deorost,
gold gumena gehwam, and gomol snoterost,
fyrngearum frod, se þe ær feala gebideð.
Weax bið wundrum clibbor. Wolcnu scriðað.


A king should defend a kingdom. Cities are seen from afar,
the skilful work of giants, which are on this earth,
wondrous work of wall-stones. The wind in the sky is swiftest,
thunder is loudest in season. Great are the powers of Christ.
Fate is the most powerful thing, winter is coldest,
spring frostiest - it is the longest cold -
summer sun-brightest - the sun is hottest -
harvest most glory-blessed; it brings to men
the year's fruits, which God sends them.
Truth is most treacherous, treasure is dearest,
gold to every man, and an old man is most wise,
made wise with years gone by, he who has experienced much.
Sorrow is wondrously clinging. Clouds glide on.

Read together, as an eleventh-century reader might have read them, these three texts resonate with each other in fascinating ways. All are interested (among other subjects) in the passage of time, the seasons and the years, and in powers earthly and heavenly - and in the link between those things.

I've written about Anglo-Saxon poetry on the seasons in a series of posts on this blog (spring, summer, autumn, winter). Over the past few years, thinking about these texts has made me think differently about my own experience of the passage of time, and led me to pay much closer attention to the cycles of the natural year - as Maxims II, at least, seems to encourage us to do. The interaction between the seasonal cycle and the liturgical year, so beautifully detailed in the Menologium, was also the subject of my most popular post ever (!). It's an obvious thing to say, perhaps, but the experience of living through the seasons from year to year, reflecting on how that feels and what it might mean, seems to offer many people a powerful sense of contact with the past. It doesn't mean we interpret these seasonal experiences in the same way, of course, or draw the same lessons from them, or associate the same emotions with them - there are some intriguing differences, in fact. But it's a kind of ever-changing constant.

I was thinking about this when re-reading Beowulf the other day, because in that poem there are a few moments when the poet turns to the seasons as a way of expressing continuity between past and present. To the poet, the world of Beowulf is already in the distant past, a pre-Christian Scandinavia different in several key aspects from contemporary Anglo-Saxon England. But one thing they have in common (he thinks) is the passage of the seasons.

Gewiton him ða wigend wica neosian
freondum befeallen, Frysland geseon,
hamas ond heaburh. Hengest ða gyt
wælfagne winter wunode mid Finne
eal unhlitme; eard gemunde
þeah þe ne meahte on mere drifan
hringedstefnan; holm storme weol
won wið winde, winter yþe beleac
isgebinde, oþ ðæt oþer com
gear in geardas, swa nu gyt deð,
þa ðe syngales sele bewitiað
wuldortorhtan weder. Ða wæs winter scacen,
fæger foldan bearm; fundode wrecca,
gist of geardum. (1125-1140)

The context for this is the story of Finn and Hengest, a legend Tolkien was particularly interested in, so here's Tolkien's translation from his version of Beowulf:

Then the warriors bereft of their friends departed to look upon their dwellings, to see the Frisian land, their homes and mighty town. Still Hengest abode with Finn that blood-stained winter, keeping fully to his word. He thought of his own land, even though he could not speed upon the sea his ship with curving beak. The deep was tossed in storm and battled with the wind; winter locked the waves in icy bond, until another year came to the dwellings of men, even as it doth yet, those weathers gloriously fair that unchangingly observe the seasons. Now past was winter, and fair the bosom of the earth. The exile, the guest of Finn, was eager to be gone from those courts.

I won't attempt to recap the story; all you need to know is that for the poet of Beowulf, the time of Hengest and Finn is even further back in the legendary past than the world of his poem. Yet the changing seasons he imagines Hengest living through (impatiently, wanting to be gone) are essentially the same as his own time: as winter passes into spring oþer com gear in geardas, swa nu gyt deð, 'another year came to the dwellings of men, as it does yet'. In Hengest's day, in Beowulf's, and in ours, the weathers of the world observe their appointed seasons - syngales sele bewitiað.

There's another such moment when Beowulf is fighting against Grendel's mother, and his sword begins to melt like a spring thaw:

Þa þæt sweord ongan
æfter heaþoswate hildegicelum,
wigbil wanian. Þæt wæs wundra sum,
þæt hit eal gemealt ise gelicost,
ðonne forstes bend Fæder onlæteð,
onwindeð wælrapas, se geweald hafað
sæla ond mæla; þæt is soð Metod. (1605-11)

Then that sword began
to waste away because of the war-sweat,
the blade into battle-icicles. That was a great wonder:
it all melted, just like ice
when the Father loosens the bonds of frost,
unwinds the water's chains, he who has power
over times and seasons. He is the true Measurer. [the one who 'metes out' destiny]

Note the present tense as the poet shifts into metaphor. What could be further from the ordinary everyday world than a hero in a monster's underwater cave, fighting for his life with a miraculous sword? But this metaphor of the thawing ice is drawn from our world, our time, our seasons. Again there's that link between the seasons and power, as in Maxims II - the divine governance over time which is so immeasurably greater than any earthly geweald. This scene is a display of human, almost super-human, strength - Beowulf is the mightiest man in the world, in his days - but the mysterious power which rules the seasons is far beyond his.

Metod eallum weold 
gumena cynnes, swa he nu git deð;
forþan bið andgit æghwær selest
ferhðes foreþanc. Fela sceal gebidan
leofes ond laþes se þe longe her
on ðyssum windagum worolde bruceð. (1057-62)

The Measurer governed all for mankind, as he now does yet;
and so understanding is best everywhere,
forethought of mind. Much must he endure
of love and hate, who long here
in these days of strife enjoys the world.

These are perhaps simultaneously the most comforting and uncomforting lines of Beowulf. We do indeed live in days of strife - but you can always rely on the literature of the past to remind you that there's nothing new or unusual about that. 'These days of strife' are not a particularly troubled moment in history, but all the days of this world. But there are other ways of thinking about time, and the events which happen within it - what an Anglo-Saxon poet might call wyrd - in a more positive way. We don't have to think about history only as a stream of events down which we helplessly drift, talking and fretting solely about the very latest thing to happen, without a moment for reflection or memory. (We'll call this the 'social media timeline' model of history). There are other options, even if they're not very fashionable ones: paying mindful attention to the details of the natural world, listening to the voices of poets of the past, thinking about patterns and constants and the changeless, instead of being solely fixated on the present. Reflecting on what even the greatest earthly power can and can't do helps, too - no king or politician, as Beowulf hints, has power over times and seasons! Maxims II seems to promise that in such ways we can learn to be wise, simply by noticing and abiding the passage of time:

gomol snoterost,
fyrngearum frod, se þe ær feala gebideð.
Weax bið wundrum clibbor. Wolcnu scriðað.


an old man is most wise,
made wise with years gone by, he who has experienced much.
Sorrow is wondrously clinging. Clouds glide on.

Wednesday, 30 November 2016

The Danish Conquest, 15: The Death of Edmund Ironside

The death of Edmund Ironside (CUL MS Ee.3.59, f. 5)

On this day in 1016 Edmund Ironside died, after just seven months as king of England. After the death of his father Æthelred on St George's Day 1016, he had inherited a kingdom half-overrun by a Danish army, and he spent most of his reign fighting Cnut and the Danes for control of England. The last battle was fought at Assandun on 18 October 1016, after which Edmund and Cnut reached a peace-treaty and agreed to divide the kingdom - so at the time of his death Edmund was king only of Wessex, while Cnut held what the Anglo-Saxon Chronicle calls the norðdæle, the northern part of England. Following Edmund's death, as the peace-treaty may have arranged, Cnut became king of the whole country, and went on to rule it for nearly twenty years.

The Anglo-Saxon Chronicle only observes that Edmund died on St Andrew's Day and was buried with his grandfather, King Edgar, at Glastonbury. It gives no details as to the location or manner of his death, and later sources provide varying information on both. Some sources say he died in Oxford (which was near the northern border of his much-diminished kingdom), others in London (then occupied by Danish ships). We don't know the cause of his death, and it may well have been from natural causes: he died at the end of a year of almost continuous warfare, just six weeks after a heroic last stand at the Battle of Assandun, so it's very possible he succumbed to an existing wound.

But this simple explanation seems not to have appealed to contemporaries or to later medieval historians. Within a few decades (and perhaps from the first) his death was being blamed on Eadric streona, one of his commanders, a Mercian ealdorman of impressively fluid loyalties. Eadric had betrayed Edmund in the past, and switched allegiance between the Danes and the English and back again more than once in the years before Edmund's death. The Anglo-Saxon Chronicle regularly highlights his betrayals, and post-Conquest sources blackened his already pitch-black name by crediting him with a whole range of extra crimes, including but not limited to the St Brice's Day Massacre, the murder of Svein Forkbeard's sister Gunnhild, the death of St Ælfheah, the English defeat in more than one battle against the Danes, and the murder of Edmund. The twelfth-century historians are pretty well agreed that Eadric was largely to blame for the Danish Conquest, and if they could have found some way to blame the Norman Conquest on Eadric, they would probably have done that too.

Perhaps surprisingly, no English sources cast suspicion on Cnut or suggest he was involved in his rival's death - quite the opposite, in fact. Cnut was not above executing political opponents (including one of Edmund's brothers, and his own brother-in-law) so it would hardly have been out of the question, and some late Scandinavian sources have no doubt Cnut was responsible. The English historians, however, tell a very different story. The treaty made between Cnut and Edmund, illustrated by their kiss of peace in the thirteenth-century manuscript above, had made them 'partners and pledged-brothers' (feolagan 7 wedbroðra), and William of Malmesbury says that Cnut continued to refer to Edmund as his brother; he even visited Edmund's grave at Glastonbury on the anniversary of his death and presented a rich cloak decorated with peacocks at his tomb.

Many later sources go even further, and say that Cnut was not only saddened by his opponent's death, but took it upon himself to avenge Edmund. The earliest incarnation of this story occurs in the Encomium Emmae Reginae, whose author derived much of his information (and surely this story) from members of the Anglo-Danish court of Cnut's son, Harthacnut. It is cited as evidence that Cnut was 'as yet in the flower of youth, but was nevertheless master of indescribable wisdom':

It was, accordingly, the case that he loved those whom he had heard to have fought previously for Eadmund faithfully without deceit, and that he so hated those whom he knew to have been deceitful, and to have hesitated between the two sides with fraudulent tergiversation, that on a certain day he ordered the execution of many chiefs for deceit of this kind. One of these was Eadric, who had fled from the war, and to whom, when he asked for a reward for this from the king, pretending to have done it to ensure his victory, the king said sadly: "Shall you, who have deceived your lord with guile, be capable of being true to me? I will return to you a worthy reward, but I will do so to the end that deception may not subsequently be your pleasure." And summoning Eiríkr, his commander, he said: "Pay this man what we owe him; that is to say, kill him, lest he play us false." He, indeed, raised his axe without delay, and cut off his head with a mighty blow, so that soldiers may learn from this example to be faithful, not faithless, to their kings.

Encomium Emmae Reginae, ed. and trans. Alistair Campbell (London: Royal Historical Society, 1949),  pp.31-3.

It's tempting to see this bit of grim wordplay as some classic Viking black humour: Eadric gets his 'reward', but not the reward he was expecting. Cnut did indeed have Eadric killed in 1017, probably not quite as flamboyantly as this - but this sounds to me like the kind of story which might have been in circulation at court, and it might well have some origin in fact. From the twelfth century onwards, historians elaborate not only as to the nature of Eadric's punishment but the manner of poor Edmund's death. Here's Henry of Huntingdon's version, with some even better wordplay:

When [Edmund], fearful and most formidable to his enemies, was prospering in his kingdom, he went one night to the lavatory to answer a call of nature. There the son of Ealdorman Eadric, who by his father's plan was concealed in the pit of the privy, struck the king twice with a sharp knife in the private parts, and leaving the weapon in his bowels, fled away. Then Eadric came to King Cnut and saluted him, saying, ‘Hail, sole king!’ When he disclosed what had happened, the king answered, ‘As a reward for your great service, I shall make you higher than all the English nobles.’ Then he ordered him to be beheaded, and his head to be fixed on a stake on London’s highest tower.

Henry of Huntingdon, Historia Anglorum, ed. and trans. by Diana Greenway (Oxford: Clarendon Press, 1996), pp.360-3.

'Higher', get it? Justice with a pun. This story, puns and privies and all, is actually quite a restrained version: as time went on, other medieval historians added lurid details about some kind of bizarre privy-based stabbing machine which Eadric used to kill Edmund, yet more puns about reward/debt/being made 'highest', and Cnut throwing Eadric into the Thames with a catapult.

Edmund Ironside and his descendants (BL Royal 14 B VI)

Whatever vengeance Cnut may or may not have enacted on Edmund's behalf, history did bring him a measure of justice. At the time of his death, he had two infant sons by his wife Ealdgyth. They were taken out of the country, and grew up in exile. One of them married a Hungarian princess and by her became the father of three children, including Margaret of Scotland; and Margaret's daughter, in 1100, married Henry I, thus grafting the line of the Anglo-Saxon kings back into the royal family tree. It's a nice irony of history that Edmund should have died on St Andrew's Day, when his descendants would go on to become rulers (and patron saint) of Scotland; and it's through them and through Edmund Ironside, though only seven months' king, that the English monarchy can today claim descent from the kings of Wessex.

Saturday, 12 November 2016

The Danish Conquest, 14: The Duel at Deerhurst and a Divided Kingdom


Shortly after the battle at Assandun in the autumn of 1016, Cnut and Edmund Ironside met to conclude a treaty dividing the rule of England between them. The Anglo-Saxon Chronicle (D) says:
Ða æfter þisum gefeohte wende Cnut cyning up mid his here to Gleawcestrescire, þær he ofaxade þæt se cyning wæs Eadmund. Ða gerædde Eadric ealdorman 7 þa witan þe þær gegaderade wæron þæt þa cyningas heom betweonan seht geworhtan, 7 coman begen þa cyningas togædre æt Olanige wið Deorhyrste, 7 wurdon feolagan 7 wedbroðra, 7 þæt gefæstnadan ægðer mid wedde 7 eac mid aðan, 7 þæt gyld gesettan wið þone here, 7 hi seoððan tohwurfon. 7 feng þa Eamund cyng to Westsexan 7 Cnut to þam norðdæle. Se here gewende þa to scipon mid þam þe hi gefangen hæfdon, 7 Lundenwaru gryðede wið þone here 7 heom fryð bohtan, 7 hi gebrohtan heora scypa on Lundene, 7 hæfdon þær wintersetl.

Then after this battle King Cnut turned inland with his army to Gloucestershire, where he learned that King Edmund was. Then Eadric the ealdorman and the witan who were gathered there advised that the kings should make a settlement between them. Both the kings came together at Olney, near Deerhurst, and became partners and pledged brothers and confirmed it with both pledges and oaths, and set the payment for the raiding-army, and after that they parted. King Edmund succeeded to Wessex and Cnut to the north part. The raiding-army went to their ships with what they had taken, and the inhabitants of London made a truce with the army and bought peace from them; and they brought their ships to London and took up winter-quarters there.

By saying that the two kings 'came together', the Chronicle probably only means that they had a formal meeting, but a story soon grew up that they had fought (or considered fighting) against each other in single combat. This is extremely unlikely, to say the least, but it seems to have become a popular story, and versions of the idea feature in numerous twelfth-century sources. The location of the meeting may have been what is now called Alney Island, near Gloucester, and the fact that some versions of the story claim the duel took place on an island in the Severn has led to suggestions of a connection with the custom of holmgang.

A reference to the idea of a duel is found as early as the Encomium Emmae Reginae (1040-2), which claims that a few months before Assandun Edmund had suggested single combat to Cnut:

It is told, moreover, that the youth himself at that time offered single combat to Knutr, as the latter was retiring; but the king, being a wise man, is said to have answered thus: "I will await a time, when contest will be fitting, and when anticipating no misfortune, I shall be sure of victory; but as for you, who desire combat in the winter, beware lest you fail to appear even when the time is more appropriate."

Encomium Emmae Reginae, trans. Alistair Campbell (London: Royal Historical Society, 1949), p.25.

Cnut's 'wise' and rather sarcastic response to Edmund is typical of the twelfth-century stories too, which frequently make this as much a verbal as a physical battle between the rival kings. Henry of Huntingdon's version of the story has Cnut cleverly getting himself out of danger with some high-flown words:

The armies were gathered in Gloucestershire. But the nobles, fearing on one side the strength of King Edmund and on the other that of King Cnut, said among themselves, 'Why do we so often rush foolishly into mortal danger? Let those who want to reign as individuals fight as individuals.' The idea was acceptable to the kings. For King Cnut was not lacking in prowess. The kings stationed themselves in Alney and began the duel. When both had shattered spears and lances against the most superior of all armour, they carried on with swords. The crowds on both sides heard and saw with groans and shouts the frightful clang and fiery clashes. At length the incomparable valour of Edmund began to thunder. King Cnut, resisting with great vigour, and yet in fear for himself, said to him, 'O most brave of all young men, why should either of us perish by the sword for the sake of holding kingly power? Let us be brothers by adoption, and share the kingdom, and let us rule, I in your affairs and you in mine. Let Denmark also be governed by your imperial rule.' With these words the generous mind of the young man was softened and the kiss of peace was exchanged.

Henry of Huntingdon, Historia Anglorum, ed. and trans. by Diana Greenway (Oxford: Clarendon Press, 1996), p.361.


As the Anglo-Saxon Chronicle says, Cnut and Edmund divided the kingdom between north and south - a division reflecting a regional split in England which went back hundreds of years. Parts of northern England had been settled by the Danes and under Danish rule at various times since the ninth century; the society and language of the north were in places heavily influenced by Scandinavian settlement, and at this point were arguably culturally closer to Denmark than to the south of England. We've seen since the beginning of this series that in 1013-16 Svein Forkbeard and Cnut were able to count on political support from the north for Danish rule, and they treated the north differently from Wessex during their invasions. The division of the kingdom proposed in 1016 thus reflected a pre-existing cultural divide (of which the legacy can still be clearly seen today in the dialect and place-names of northern England).

What the chronicle calls the norðdæle, 'the northern part', is a huge area, stretching from the Midlands to Northumbria - geographically speaking, much more than half of England. Although over the course of the tenth century the kings of Wessex, Edmund Ironside's ancestors, had extended their power over the rest of the formerly independent kingdoms of Anglo-Saxon England, they actually had no older history of continuous rule in the north than Cnut's ancestors did. By 1016 both Cnut and Edmund could claim that not only had both their fathers (Svein Forkbeard and Æthelred) ruled the whole kingdom of England, but that both had ancestors who had ruled regions of the country. In the version of the Deerhurst duel told in Gaimar's Estoire des Engleis, the kings exchange long speeches in the middle of the combat, in which they discuss these rival claims to rule England. Both claims are rooted in (real or legendary) history: while Edmund claims descent from Cerdic, first king of Wessex, Cnut tells Edmund that 'Our Danish ancestors have been ruling here for a very long time: almost a thousand years before King Cerdic came to the throne, Dan was king. Cerdic was your ancestor, and king Dan was mine.' In some medieval traditions Dan was the legendary progenitor and namesake of the Danes (as Angle was of the English), so this gives Cnut an ancient and venerable pedigree. Cnut goes on to propose dividing the kingdom to which both have a right; Edmund decides he admires Cnut's 'sagacity' and the justice of his claim, and agrees to this suggestion.

Not every historian was so enamoured of the Danish claim. William of Malmesbury, by contrast, thinks Cnut avoided the duel because he was scared of Edmund's greater physical strength:

Edmund, almost the only one to get away [from the battle at Assandun] came to Gloucester, in hopes of there pulling his forces together and attacking the enemy, who would, he supposed, be off their guard after their recent victory. Nor did Cnut lack the courage to pursue him in his retreat, and the two sides took their stand in line of battle. Edmund then asked for single combat, rather than have two mortal men moved by ambition to be king carry the blood of so many of their subjects, when it was possible to put fortune to the test without the loss of any of their faithful dependents; great credit would be due to whichever of them should acquire so great a kingdom at his own private risk and no one else's. When this was reported to Cnut, he rejected it out of hand, declaring that in spirit he was a match for anyone, but did not trust his tiny frame against a man of such enormous might. Surely, since both not without reason were demanding a kingdom which had been held by the parents of both, it would be sensible to lay aside their enmity and divide England between them. This remark was taken up by both armies and ratified with massive agreement, as both consonant with justice and a benign step towards peace among mortals who were already exhausted by so much misery.

Gesta Regum Anglorum, trans. R. A. B. Mynors, R. M. Thompson and M. Winterbottom (Oxford, 1998), vol.i, pp.317-9.

Again it's Cnut, by his 'sensible' suggestion (in this case motivated by fear!), who brings an end to the combat through words rather than battle.

And Walter Map, always one to embellish a good story, has the kings trading barbs mid-duel:

[The Danes] insisted with Cnut that the death of the whole army should not be put in the scale, but that of a single man, and that a duel should take the place of a battle, and the victorious champion obtain the kingdom for his master, and the rest be sent away in peace. Both sides were pleased with this, and it seemed good to Edmund to confront the danger himself, nor would he allow of any champion in his stead. Hearing this, Cnut decided that he must fight in propria persona, so as to avoid an unseemly disparity: for a conflict of kings would be even and fitting. All the needful arrangements were therefore made with due solemnity: a truce was granted, keepers of the ground were armed, and the two, borne in two boats from opposite banks, met on an island in the Severn, equipped with excellent and precious arms and horses to the extent necessary for honour and safeguard...

[The fight gave rise] to one memorable phrase: when their horses were slain and they became foot-soldiers, Cnut, who was slender, thin and tall, pressed Edmund, who was big and smooth - in other words, fairly stout - with such prowess and persistency of attack, that in a pause allowed for rest, Edmund stood panting heavily and drawing deep breaths; and in the hearing of the ring, Cnut said: 'Edmund, you breathe too short.' He blushed; but kept a modest silence, and at the next attack came down upon Cnut's helmet with such a stroke that he touched the ground with knee and hand; but Edmund stepped back and neither crushed the fallen foe nor harassed the down-struck; only avenging a word by a word, he retorted: 'Not too short, if I can bring so great a king off his feet.' The Danes accordingly, when they saw that Edmund had deferred to their lord in a conflict of such mighty issue, and that when victory was ready to his hand he had delayed his triumph, compelled the two by many prayers and tears to make a treaty.

Walter Map, De nugis curialium, ed. and trans. by M.R. James, revised by C.N.L. Brooke and R.A.B. Mynors (Oxford, 1983), pp.424-7.

So Cnut learned it's not a good idea to call your opponent fat...

Matthew Paris, Chronica Majora, CCCC MS. 26, f.80v

These images of Cnut and Edmund fighting each other (which I've been using to illustrate various battles in this series of posts) actually depict this single combat - another indication of the popularity of the story. In the one above, you can see the Danes and English watching from the sidelines. The one below also shows Cnut and Edmund making peace:


Their kiss seals the kings' pledge to be feolagan 7 wedbroðra ('partners and pledged brothers'), but it is swiftly followed by Edmund's death, depicted on the right here. If Edmund had lived, and the division of the country had lasted, perhaps there would never again have been a single kingdom of England - a reminder that political unions which may seem to us inevitable and eternal can, in fact, fracture, and yet time goes on. Perhaps that reflection was part of the appeal of this story to twelfth-century historians, looking back at 1016 from an England which had once again been conquered by a foreign power. It was these same historians (specifically, Henry of Huntingdon and Gaimar) who gave us an even more memorable story of Cnut accepting the limits of kingly power - ceding rule to God at the sea-shore, rather than sharing half a kingdom with another earthly king. And it was Henry of Huntingdon who, in another context, encourages us to learn perspective from the sheer length of history:
Let us, however, think about what has become of those who lived in the first millennium around this time, around the 135th year... What does it matter whether they were individually noble or ignoble, renowned or unknown, praiseworthy or disreputable, exalted or cast down, wise or foolish? If any of them undertook some labour for the sake of praise and glory, when now no record of him survives any more than of his horse or his ass, why then did the wretch torment his spirit in vain? What benefit was it to them, who came to this?

Now I speak to you who will be living in the third millennium, around the 135th year. Consider us, who at this moment seem to be renowned, because, miserable creatures, we think highly of ourselves. Reflect, I say, on what has become of us. Tell me, I pray, what gain has it been to us to have been great or famous? We had no fame at all, except in God. For if we are famed now in Him, we shall still be famed in your time, as lords of heaven and earth, worthy of praise with our Lord God, by the thousands of thousands who are in the heavens.

But history always holds surprises. The divided kingdom which might have changed England forever lasted, as it turned out, only a few weeks: Edmund Ironside died on 30 November 1016, and Cnut became king of the whole of England. Edmund's death was also the subject of various lurid post-Conquest legends - but that's for another post.

Sunday, 26 June 2016

The Danish Conquest, Part 11: The Battle of Sherston

The Battle of Sherston in the Anglo-Saxon Chronicle (BL Cotton MS Tiberius B IV, f.67)

This week marks the 1000th anniversary of one of the most important battles of the Danish Conquest, fought at Sherston in Wiltshire on or around 25-26 June 1016. The Battle of Sherston might be largely forgotten today - though its anniversary is being commemorated in the village this weekend - but it features prominently in medieval narratives of Cnut's conquest of England. In this post we'll look at some of the many accounts of this battle, both the history and (perhaps more interesting!) the legend.

As we saw in the last post in this series, after the death of King Æthelred on 23 April, his son Edmund Ironside was left to lead the English defence against the Danes. Cnut's forces besieged London, unsuccessfully, and then fought a succession of battles with Edmund's army across the south of England during the summer and autumn of 1016. The first major engagements were in the south-west, according to the Anglo-Saxon Chronicle (E):

Þa wæs Eadmund cyng ær þam gewend ut. 7 gerad þa West Seaxan. 7 him beah eall folc to. 7 raðe æfter þam he gefeaht wið þone here æt Peonnan wið Gillinga. 7 oðer gefeoht he gefeaht æfter middan sumera æt Sceortstane. 7 þær mycel wæll feoll on ægðre healfe. 7 þa heres him sylfe toeodon on ðam gefeohte. 7 Eadric ealdorman 7 Ælmær Deorlingc wæron þam here on fultume ongean Eadmund cyng.

Then King Edmund had gone out before that [the siege of London] and rode into Wessex, and all that people submitted to him. And quickly after that he fought against the army at Penselwood near Gillingham, and he fought another battle after midsummer [June 24] at Sherston. There was great slaughter on both sides, and the armies themselves broke off the fight. Ealdorman Eadric and Ælfmær Darling were aiding the army against King Edmund.

Sherston is near the Fosse Way, a few miles west of Malmesbury. This was the first major battle between the armies led by Cnut and Edmund, but the outcome was apparently unclear; 'the armies themselves broke off the fight', and sources disagree on who gained the advantage. The Encomium Emmae Reginae, whose version of events we can now rejoin for the first time since September's installment, as usual provides a story sympathetic to Cnut and the Danes. (This text was written for Cnut's queen in the 1040s, and probably drew its information in part from the memories of people who took part in the conquest.) For the Encomium, the battle at Sherston was a great victory for the Danish army, and it was won by one of Cnut's most experienced warriors, Thorkell the Tall, on behalf of his young king:

Then Thorkell, observing the time to have come when he could demonstrate his fidelity to his lord, said: "I will undertake to win this fight for my lord with my troops, and will not permit my king to be involved in this battle, very eager to fight as he is, inasmuch as he is a youth. For if I be victorious, I will win on the king's own behalf; but if I fall or turn my back, it will not be to the glory of the English, for the reason that the king will be left, and he will give battle again, and perhaps as a victor will avenge my injuries." Since this seemed to all to be good reasoning, he disembarked with the king's approval, and directed his force against the army of the English, which was then assembled at the place called Sherston.

The Danish army had disembarked from forty ships and more, but still this number was by no means equal to half the enemy. But the leader, relying on courage rather than numbers, sounded the trumpets without delay, and advancing in the forefront and ever praying in his heart for the help of God, laid low all that came in his way with the sword's point. The English, indeed, were the more bold at first, and cut down the Danes with terrible slaughter, to such an extent, that they nearly won the victory and would have compelled their enemies to flee, if the latter, held back by their leader's words and being mindful of their own bravery, had not regarded flight with shame. For he mentioned that there was no place to which they might flee, that they were, of course, foes in the land, and that their ships were far from the shore, and that accordingly, if they should not conquer, they would necessarily fall together.

After they had been rendered of better courage by this, they forthwith showed in battle how dangerous a thing is desperation. For despairing of a refuge to which to flee, they raged on against the enemy with such madness, that you would have seen not only the bodies of the dead failing, but also of the living, as they avoided the blows. Accordingly they ultimately gained the victory which they desired, and buried such of the remains of their comrades as they could find. After they had also seized the spoils from their foes, they returned and made themselves ready for an invasion of the adjacent country.

This was the first honour which Thorkell brought to the arms of Knutr, and for this he afterwards received a large part of the country.
Encomium Emmae Reginae, ed. and trans. Alistair Campbell (London: Royal Historical Society, 1949), pp. 21-3.

Sherston (source)

While the Encomium talks up Thorkell's loyalty in this battle, other versions of events at Sherston are more interested in disloyalty - specifically, the treachery of the ealdorman Eadric streona, who is roundly blamed for things going badly for the English (as we've seen before in this series). Twelfth-century English historians have various tales to tell about Sherston, most of which centre on Eadric's dirty tricks. Although dating from more than a century after the battle, these sources may preserve some older traditions; if nothing else, they develop some of the narrative possibilities implicit in the earliest sources quoted above. In the following stories, we get different versions of two points in particular: Eadric's betrayal of his king, and the fact mentioned in the Encomium that the Danes were deep in Wessex and potentially in great danger unless they could keep together ('they were foes in the land, and their ships were far from the shore...').

Let's start with John of Worcester's account of Sherston:

[Edmund] went boldly to meet them in Dorset, and in a place called Penselwood, near Gillingham, he gave them battle, won, and put them to flight. After this, when midsummer had passed, and he had mustered an army, one greater than before, he determined to fight vigorously against Cnut, whom he encountered in Hwiccia at a place called Sherston.

When he drew up his army according to the terrain and the forces he had, he moved the best soldiers into the front line, placed the rest of the army in reserve, and addressing each man by name, exhorted and entreated them to remember that they strove for their country, children, wives and homes, and with these most inspiring words he fired the soldiers' spirits. Then he ordered the trumpets to sound, and the troops to advance gradually. The enemy army did the same.

When they arrived at the place where they could join battle they rushed together with their hostile standards and with a great shout. They fought with spear and lance, striving with all their might.  Meanwhile, King Edmund Ironside made his presence felt in fierce hand-to-hand fighting in the front line. He took thought for everything; he himself fought hard, often smote the enemy; he performed at once the duties of a hardy soldier and of an able general. But, because Eadric Streona, the most treacherous ealdorman, and Ælfmær Darling, and Ælfgar, son of Meaw, who ought to have been supporting him with the men of Hampshire and Wiltshire and with an innumerable mass of people, were on the Danish side his army was quite exhausted and quite overstretched.

However, on the first day of battle, that is on Monday, so harsh and cruel was the conflict that both armies were unable for weariness to fight any longer, and they left the place at sunset of their own accord.  But on the following day, the king would have crushed all the Danes if it had not been for the wiles of Eadric Streona, the treacherous ealdorman; for, when the battle was at its height and he observed that the English were stronger, he cut off the head of a certain man called Osmear, very like King Edmund in face and hair, and raising it aloft he shouted, saying that the English fought in vain: 'You men of Dorset, Devon, Wiltshire, flee in haste, for you have lost your leader. Look, I hold here in my hands the head of your lord, King Edmund. Flee as fast you can.'

When the English perceived this they were appalled, more by the horror at the action than by any trust in the announcer, whence it happened that the waverers were on the verge of flight; but as soon as they realized that the king was alive their spirits rose, and they attacked the Danes the more fiercely, and they slew many of them, striving with all their might until dusk.  When that arrived, as on the previous day, they separated voluntarily.  But when the night was far advanced Cnut ordered his men to leave the camp silently and, going back to London, returned to his ships again, and not much later he besieged London again. However, when day came, and King Edmund Ironside perceived that the Danes had fled, he returned at once to Wessex to raise a larger army.

The Chronicle of John of Worcester, ed. and trans. Jennifer Bray and P. McGurk (Oxford, 1995) vol. ii, pp.487-9 (paragraph breaks added).

This is taking the idea that Eadric 'aided the Danes against King Edmund' to quite an extreme! Henry of Huntingdon gives in English the words Eadric was supposed to have spoken to send the army into chaos: Flet Engle, flet Engle! Ded is Edmund! 'Flee, Englishmen! Edmund is dead!' (However, he attaches this story to the later battle of Assandun, rather than Sherston.) William of Malmesbury also blames the flight at Sherston on Eadric's wiles, although in a slightly different form:

After St John's Day [Edmund] joined battle with them again at Sherston, but it was broken off with the two sides equal, his English troops taking the first steps towards retreat under the influence of Eadric, who stood on the enemy's side brandishing a sword which he had bloodied in the battle by the bold slaughter of some country fellow, and shouting: 'Flee, flee, poor wretches! Look, this is the sword which has killed your king!' And the English would have fled immediately, had not the king heard of this and made for a prominent hill, where he took off his helmet and displayed his bare head to his fellow-soldiers. He then brandished an iron spear with all the force he could muster and hurled it at Eadric; but he saw it coming and dodged it, and it went astray and pierced the soldier who was standing next to him with such violence that it transfixed a second man as well.

Gesta Regum Anglorum, trans. R. A. B. Mynors, R. M. Thompson and M. Winterbottom (Oxford, 1998), vol.i, p.315.

This ruse of tricking an army into believing their leader is dead is a common tale, and similar stories are told in medieval sources about the Battle of Hastings - though in that case it's William the invader, and not the English king, who has to display his face to prove he's still alive. There are all kinds of historical irony about that, as we'll see in a moment...

Edmund Ironside in a 14th-century manuscript (BL Royal MS 14 B VI)

Scandinavian sources also have some interesting things to say about the Battle of Sherston. It's mentioned in a poem written in praise of Cnut by the skald Óttarr svarti, which you can read in full here:

Svefn braut svǫrtum hrafni
sunnarr hvǫtuðr gunnar;
olli sókn inn snjalli
Sveins mǫgr at Skorsteini.

The urger of battle broke the sleep of the dark raven further south; the bold son of Sveinn made an attack at Sherston.

Óttarr svarti, Knútsdrápa, ed. and trans. Matthew Townend, in Diana Whaley, ed., Poetry from the Kings' Sagas 1, Skaldic Poetry of the Scandinavian Middle Ages I (Turnhout: Brepols, 2012), Part 2, p.774.

Here it's Cnut himself, 'the bold son of Svein', and not Thorkell, who gets all the credit. (I like the alliteration and near-rhyme of Svein and Skorstein - with this campaign Cnut was, he hoped, repeating his father's conquest of England.)

Quoting this verse, the thirteenth-century Knýtlinga saga goes on to give its own version of Sherston, which it calls 'one of the most famous battles of the time'. It has the same story that the English soldiers fled when they believed Edmund to be dead, 'and though the king shouted to them to turn back no one showed any sign of hearing him'. But more importantly, there's also a fascinating story about the aftermath of the battle. The saga tells how one of Cnut's commanders, his brother-in-law Ulf Thorgilsson, is separated from the rest of the Danish army in the confusion, and loses himself in a forest. He comes upon a boy tending a flock of sheep, and asks him his name. The boy, whose name is Godwine, recognises Ulf as one of Cnut's men, and warns him that if any of the people living nearby find him in the forest, he'll be killed.

Ulf asks Godwine to guide him back to the Danes, and offers him a gold bracelet as a reward. Godwine refuses to take the reward - canny boy! - saying that he would rather have the earl in his debt if he manages to save his life. Godwine takes Ulf home and introduces him to his father, a prosperous farmer named Wulfnoth. (Can you see where this story is going?) The family look after him, feed him, and give him horses to get him back to the army. In return, Wulfnoth asks the earl to take Godwine with him and find him a position in service among the Danes - 'he can't stay here if the locals discover he's helped you escape', he says.

Ulf and Godwine ride off and join Cnut and the rest of the Danish army, at which point Godwine realises that the man he's helped is an important and popular earl. Ulf takes him in, and it ends with Godwine marrying Ulf's sister Gytha and eventually being made an earl when Cnut becomes king of England. He becomes, in fact, Godwine, Earl of Wessex, one of the most powerful men in eleventh-century England.

It's unlikely that much, if any, of this story is true; Godwine's father Wulfnoth was almost certainly not a farmer, but a Sussex thegn. However, it is true that Godwine married Ulf's sister, and from their marriage sprang a family which helped to reshape the ruling dynasties in both England and Scandinavia, long after the conquest we're commemorating here. The children of this Anglo-Danish union outlasted Cnut's rule in England, surviving and holding high positions throughout the reign of Edward the Confessor, with at times greater influence than the king himself. And half a century after 1016, of course, the sons and daughters of Godwine and Gytha were to be important players in another conquest of England: their daughter Edith married Edward the Confessor, and Gytha lived to see (though Godwine did not) her son Harold on the English throne.

Edith and Edward the Confessor (CUL MS Ee.3.59, f.11v)

Today this family is usually called the 'Godwinesons', a testament to their father's dominance of English politics; but Gytha seems to have been a formidable woman in her own right, and her family connections in Scandinavia were an important influence on what happened in 1066 and afterwards. Through their mother, Harold and Edith and their siblings were closely related to the royal family of Denmark, Ulf's children with Cnut's sister Estrith. Exactly fifty years after the Battle of Sherston, in the summer of 1066, Gytha was at once mother of the king of England and aunt of the king of Denmark - although it didn't last, of course. Gytha lost three of her sons in one day at the Battle of Hastings (and one at Stamford Bridge, a few weeks earlier). In 1067 she left England with some of her surviving children and grandchildren, and eventually took refuge with her nephew in Denmark. Her granddaughter, Harold's daughter (also named Gytha), married into a ruling family in Kievan Rus, while in 1069 and 1075 her nephews intervened to aid English rebellions against the Normans. As Knýtlinga saga says, 'many great men from England, Denmark, Sweden and east from Russia are descended from them [Godwine and Gytha]'.

It's not very likely that this all began with a chance encounter between Ulf and a young shepherd-boy, but it's a fascinating origin myth for this hugely important dynasty. And the really interesting thing is that one English source tells a very similar story about Godwine's humble origins: Walter Map in his De Nugis Curialium also has Godwine rising from obscurity through his unwitting attendance on a surprise guest, although in that case it's King Æthelred, who has got lost while hunting and ends up taking the attentive boy into his service. So the story in Knýtlinga saga takes on a shade more credibility; and it's not impossible that at least it was around the time of the Battle of Sherston that Godwine went over to the Danes.

Rattlebone Inn, Sherston (source)

In any case, there were clearly plenty of stories circulating about the Battle of Sherston in the twelfth and thirteenth century, if not before. And later, too: local tradition in Sherston still tells of a man called John Rattlebone, who supposedly fought for Edmund's side against the Danes. This story is first recorded in the seventeenth century by John Aubrey, who says that a small carved figure in Sherston church was believed to represent Rattlebone, and that 'the old women and children have these verses by tradition':

Fight well, Rattlebone,
Thou shalt have Sherston.
What shall I with Sherston do
Without I have all belongs thereto?
Thou shalt have Wych and Wellesley
Easton Town and Pinkeney.

This verse is said to represent what Edmund promised Rattlebone to persuade him to fight. In the battle Rattlebone was mortally wounded, but staunched the flow of blood by pressing a stone tile to his wound, and fought to the bitter end (the pub sign above illustrates him doing so). What a splendid legend - I do like the thought of doughty John Rattlebone going up against Thorkell and Ulf!

Sunday, 19 April 2015

Anselm and Alphege

Alphege in a 12th-century Canterbury manuscript (BL Cotton MS Nero C VII, f.46v)

Today is the feast of St Alphege (Ælfheah), one of the chief saints of Anglo-Saxon Canterbury. Taken prisoner during the Viking siege of Canterbury in 1011, he was held hostage for seven months before being killed by his captors at Greenwich, apparently because he would not (or could not) pay a ransom for his freedom. The Anglo-Saxon Chronicle says the army, drunk on 'wine from the south', took the archbishop to their husting and pelted him with bones and ox-heads, until one of them killed him with an axe-blow to the head. He was buried at St Paul's in London, but his body was returned to Canterbury in 1023, with royal ceremony provided by Cnut and Archbishop Æthelnoth.

I've posted about St Alphege several times before, at greatest length here, so today I thought I'd just post the famous discussion which Lanfranc and Anselm had about him in the 1070s, as recorded in Eadmer's Vita Anselmi. It makes a nice contrast to the conversation between Lanfranc and Anselm which featured in my last post (that wasn't intentional, actually). Twenty years on, Lanfranc was by now Archbishop of Canterbury, and Anselm was abbot of Bec; the young Anselm of that story - uncertain about his future, puffed up with youthful pride, seeking Lanfranc's counsel - was now someone Lanfranc himself would ask for advice.

This is from Eadmer's Vita Sancti Anselmi, ed. and trans. R. W. Southern (Oxford, 1972), pp. 50-2.

The things which were said and done in those days between the reverend prelate Lanfranc and Abbot Anselm will require no explanation to those who knew the lives and habits of both; but those who did not know them may form some idea from the fact that - in my opinion and that of many others - there was nobody at that time who excelled Lanfranc in authority and breadth of learning, or Anselm in holiness and the knowledge of God. Moreover Lanfranc, as an Englishman, was still somewhat green, and some of the customs which he found in England had not yet found acceptance with him. So he changed many of them, often with good reason, but sometimes simply by the imposition of his own authority.

While, therefore, he was giving his attention to these changes, he had Anselm with him, a friend and brother with whom he was of one mind; and talking with him informally one day, he said, 'These Englishmen among whom we are living have set up for themselves certain saints whom they revere. But sometimes when I turn over in my mind their own accounts of who they were, I cannot help having doubts about the quality of their sanctity. Now one of them lies here in the holy church over which by God's will I now preside. He was called Elphege, a good man certainly, and in his day archbishop of this place. This man they not only number among the saints, but even among the martyrs, although they do not deny that he was killed, not for professing the name of Christ, but because he refused to buy himself off with money. For - to use the words of the English themselves - when his foes, the pagan enemies of God, had captured him, out of respect for his dignity they gave him the possibility of buying himself off, and demanded in return an immense sum of money from him. But since he could only have obtained this by despoiling his own men and possibly leave them to a wretched state of beggary, he preferred to lose his life rather than to keep it on such conditions. Now, my brother, I should like to hear what you think about this.' Thus, talking as a recent citizen of England, he briefly outlined the case and submitted it to Anselm.
'Talking as a recent citizen of England...' It's worth noting at this point that this is not in any way a transcript of their conversation, and it was written more than thirty years after the event, when both Lanfranc and Anselm were dead. So all this is Eadmer's reconstruction of the discussion, his dramatisation almost, and his own framing of the issues. (When this conversation took place in the late 1070s, Eadmer was still a teenager, and probably too junior to be personally witnessing the archbishop's conversations with his guests!) What we have is not so much Lanfranc and Anselm's views as Eadmer's view of their views, which is, if not quite as straight a line to the facts as some modern historians would like, still very much worth having - perhaps more so, since Eadmer had a longer and deeper involvement in Alphege's story then either Lanfranc or Anselm. In the 1070s Lanfranc 'as an Englishman was still somewhat green', says tactful Eadmer (Southern's translation of quasi rudis Anglus); and as if feeling we need to hear from a more qualified Englishman at this point, Eadmer interjects on his own behalf:

If, however, we look on the matter historically, we see that this was not the only cause of Saint Elphege's death, but that there was another and more fundamental one. It was not only because he refused to buy himself off with money, but also because like a Christian freeman he stood out against his pagan persecutors, and tried to convert them from their infidelity, when they were burning the city of Canterbury and the church of Christ which stands there, and when they were putting the innocent citizens to a horrible death - it was for this that they seized him and put him to death with cruel torture.

This is a valiant effort to put Alphege's death back into its historical context, as part of the two-decade catalogue of miseries which England had suffered in the years before the archbishop was murdered. The disasters of Æthelred's reign culminated in the siege and burning of Canterbury, and the Anglo-Saxon Chronicle and Osbern's account of Alphege's death both talk about the events of 1011-12 as twin disasters, the destruction of the city and the death of the archbishop together comprising a turning-point in English history. Osbern says 'Each singly would have been calamity enough to the kingdom – either the harm done to the priest or the deadly destruction of the city – so that deprived of either glory England would never from that time on regain her former status'. In this view of things Alphege's death was less about the payment of ransom than a symbolic blow at England's Christian identity, in the city (as the Chronicle says, speaking for 'us' the English) þanon com ærest Cristendom 7 blis for Gode 7 for worulde, 'from where there first came to us Christianity and joy before God and before the world'. The lurid nature of Alphege's death makes it easy (for many modern readers, and maybe for Lanfranc too) to see it as simply the product of a barbaric age, in which the English were not much better than their Danish attackers. In Lanfranc's eyes, the pre-Conquest church of Canterbury (which he had first encountered in ruins) probably did not seem all that much to boast of. 'But if we look on the matter historically', through the eyes of a historically-aware English monk, Canterbury and its church were the very symbol of English Christianity, their destruction a mark of decline - the end of all the spiritual, artistic, intellectual, and literary richness which characterised the Anglo-Saxon church in its prime. It was for that church and its people that Alphege died.


Looking at things historialiter was Eadmer's speciality, but an argument from English history was never really going to convince; so Eadmer gives Anselm's more theoretical reply:

But Anselm, replying simply to the question put to him, as one prudent man to another, spoke as follows:

'It is clear that a man, who has no hesitation in dying rather than sin against God even in a small matter, would very much rather die than anger God by committing some grave sin. And certainly it appears to be a graver sin to deny Christ than for any lord on earth to injure his men to some extent by taking away their money. But it was the lesser of these evils which Elphege refused to commit. Much less therefore would he have denied Christ, if furious men had laid hands on him, threatening him with death unless he did so. From this we can understand the wonderful hold which justice had in his breast, since he preferred to give his life rather than to throw aside charity and become a cause of scandal to his neighbors. How far from him then is that "woe" which the Lord threatened "to him by whom scandal comes". And, in my view, it is not unfitting that one who is truthfully pronounced to have suffered death voluntarily for so great a love of justice should be numbered among the martyrs. For John the Baptist also, whom the whole church of God believes to be the chief of martyrs and venerates as such, was killed, not because he refused to deny Christ, but because he refused to dissemble the truth. Indeed, what difference is there between dying for justice and dying for truth? Moreover, there is the witness of Holy Scripture, as you, Father, very well know, that Christ is both truth and justice; so he who dies for truth and justice dies for Christ. But he who dies for Christ is, as the Church holds, a martyr. Now Saint Elphege has truly suffered for justice as Saint John did for truth. So why should anyone have more doubt about the true and holy martyrdom of the one than of the other, since a similar cause led both of them to suffer death? These arguments, reverend father, so far as I can see, are what reason itself teaches me to be sound. But it is for your judgment to correct and restrain me if you feel differently, and to teach and declare to the church of God a better way of looking on this important matter.'

To this Lanfranc replied, 'I acknowledge - I approve and deeply respect the subtlety and insight of your mind and now that I have been instructed by your solid argument, I trust that I shall, by God's grace, henceforth worship and venerate Saint Elphege with all my heart, as a truly great and glorious martyr of Christ.'

And this he afterwards faithfully carried out, and even ordered a careful history of his life and passion to be written. This history was nobly written at his command by Osbern, a monk of Canterbury, of happy memory, who wrote it not only in plain prose for reading, but also put it to music for singing; and Lanfranc himself for love of the martyr gave it the seal of his eminent approval, authorized it, ordered it to be read and sung in the Church of God, and in this respect added no small glory to the martyr's name.
I wrote about Osbern's work on Alphege at length here; it is indeed 'nobly written'! So Alphege remained (with St Dunstan) one of Canterbury's most venerated saints, the two of them being joined by Thomas Becket at the end of the twelfth century. Though Becket's saintly fame has since greatly overshadowed his predecessor's, contemporaries were more likely to link than to contrast the two; Becket compared himself explicitly to Alphege in a sermon he preached a few days before his death, and I posted here about an Anglo-Saxon prayer to Alphege which was later repurposed for the new martyr. It's sometimes been pointed out that Chaucer's pilgrims, travelling towards Canterbury, as we are specifically told, around April 18, would have arrived at the city (had they ever got there) on or just after the feast of St Alphege; so they would have had more than one 'hooly blisful martir' to pray to, once they arrived at the cathedral.

The empty space beside the high altar in Canterbury Cathedral, where Alphege's tomb once stood

Thursday, 30 October 2014

'Æthelnoth the Good', Cnut's Archbishop


Æthelnoth, Archbishop of Canterbury, died in the last days of October in the year 1038, and in some places (Canterbury, mostly) they commemorate him on October 30. Æthelnoth is a fascinating figure to me, because he embodies some of the most intriguing questions about cultural and national identities in eleventh-century England: how and why did this English churchman, so thoroughly a product of Anglo-Saxon society at its confident best, become someone who could work closely with the Danish conqueror Cnut, aligning himself with the interests of a new Anglo-Danish regime?

Æthelnoth was born, some time in the second half of the tenth century, into a noble Anglo-Saxon family based in the south-west of England. He was connected to some very illustrious people: he was descended from one of the brothers of Alfred the Great, his grandfather was the chronicler and cultured ealdorman Æthelweard, and his father Æthelmær was the founder of Eynsham Abbey and patron of the homilist Ælfric. This was a powerful and pious family which cherished its roots far back in the royal line of the kings of Wessex, well-connected players in contemporary politics but with sophisticated literary and spiritual interests too. According to tradition Æthelnoth was baptised by no less a person than St Dunstan himself, and at the baptism raised his hand in a gesture of blessing, which Dunstan interpreted to mean that the baby would be an archbishop one day. In time Æthelnoth became a monk at Glastonbury, where Dunstan had been abbot before his elevation to Canterbury.

Although he was born into a time of relative peace, Æthelnoth's life was to be shaped by the troubled period leading up to Cnut's conquest of England in 1016: more than two decades of Viking attacks from without and internal political chaos splitting the kingdom from within. As ealdorman of the western shires (I love that title!) it was Æthelnoth's father who led the west's submission to Svein Forkbeard in 1013, and a few years later Æthelnoth himself seems to have participated in some kind of ceremony which bestowed legitimacy on Cnut as victorious conqueror and king of England: either a confirmation ceremony in 1016, or a coronation in 1017. (Thanks to the Canterbury writer Osbern we know Æthelnoth 'bestowed chrism' on the king, but we don't know exactly what ceremony this refers to.) It would be fascinating to know whether Æthelnoth had much choice in this: in 1017 Cnut had Æthelnoth's brother killed, as part of a last purge of the English aristocracy.

BL Additional 34890, f. 115

In 1020 Æthelnoth was appointed Archbishop of Canterbury, presumably in part because he was already a trusted supporter of the new Danish regime. How did that come about? If only we knew... He was consecrated archbishop in the year of the foundation of the church at Assandun, about which I wrote recently, and after he became archbishop Æthelnoth and Cnut seemed to have worked well together, improbable though such a pairing may appear. Æthelnoth was the impetus behind the ceremonial return to Canterbury in 1023 of the body of St Ælfheah, the archbishop one before Æthelnoth, who had been murdered by a Danish army in 1012. The return of the martyr's body to Canterbury was a large-scale public spectacle, involving the body being taken by ship from St Paul's, where the archbishop had first been buried, down the Thames to Kent. Cnut, Emma and their little heir Harthacnut were all in attendance, and this grand occasion - masterminded, presumably, by Æthelnoth - was an effective piece of political theatre, righting one of the cruellest wrongs of the Danish Conquest, the murder of the elderly, saintly archbishop. Osbern, in his account of this event, paints an attractive picture of Cnut and Æthelnoth cheerfully working together as they retrieve the martyr's body from its tomb and take it down to the royal dragon-ship. This is mostly a product of Osbern's ever-vivid imagination, but something about it rings true.

BL Additional 34890, f. 115

This is only one of the occasions on which Æthelnoth aligned himself closely with Cnut and Emma, and consequently he gets a rave review in the Encomium Emmae Reginae (written a few years after his death) which calls him "a man gifted with high courage and wisdom" because after Cnut's death he refused to crown Cnut's 'illegitimate' son Harold Harefoot - saying that no one should be king but Emma's son Harthacnut. Harthacnut did indeed become king in 1040, but Æthelnoth didn't live to crown him; he died in the middle of Harold's reign, in 1038. One version of the Anglo-Saxon Chronicle (D) records his death as follows:

Her forðferde Æðelnoð arcebiscop se goda, 7 Æþælric biscop on Suðsexan, se gewilnode to Gode þæt he hine ne lete lybban nane hwile æfter his leofan fæder Æðelnoðe, 7 he eac binnan seofon nihton þæs gewat.

'In this year died Archbishop Æthelnoth the Good, and Æthelric, bishop in Sussex, who had prayed to God that he should not be permitted to live a long time after his dear father Æthelnoth, and he died too within a week.'

The title 'Æthelnoth the Good' and this little note about the bishop's answered prayer suggest there were some people inclined to consider Æthelnoth a saint, but this never really came to fruition. In the years after his death the Anglo-Danish regime which Æthelnoth had so staunchly supported collapsed with the early death of Harthacnut. Canterbury was a troubled place in the reign of Edward the Confessor and directly after, and it's not surprising that a cult of Æthelnoth did not take hold; by this point it was no longer a good thing to have been closely aligned with Cnut. But I can't help wondering if things had gone differently, if Harthacnut had lived, whether 'Æthelnoth the Good' might have acquired a reputation somewhat like that other survivor of conquest, St Wulfstan of Worcester: a unifying figure, a promoter of peace and reconciliation, and a saint.

BL Additional 34890, f. 115

The illustrations in this post come from the 'Grimbald Gospels' (BL Additional 34890), a gorgeous manuscript produced at Canterbury around the time Æthelnoth went there. It's one of several lavish manuscripts made at Canterbury in the years 1012-23 - books of breathtaking beauty, created in the middle of wartime and the first years of uneasy peace.

Saturday, 18 October 2014

A Visit to Assandun (maybe)


18 October is the anniversary of the climactic battle of the Danish Conquest of England: on this day in 1016 the Danish army, led by Cnut, defeated an English army led by Edmund Ironside at a place called Assandun in Essex. After Assandun Edmund Ironside conceded defeat to the Danes and agreed to divide the kingdom with Cnut; when he died just over a month later, Cnut was accepted as king of all England. Assandun was, therefore, a significant date in the history of Anglo-Saxon England, which probably would have been even more significant if it had not been overtaken by the Battle of Hastings, which took place exactly fifty years later, almost to the very day. Last year I wrote about three sources for the battle in English, Latin and Old Norse, partly in an effort to suggest just how large this battle loomed in the memory of Cnut's conquest later in his reign (those three sources were written between 5-25 years after Assandun). Today I want to do something different - where that post was nearly all words, this will be nearly all pictures.

As I've been working on narratives of the Danish Conquest and writing a series of posts about it (which you can find here), I've been getting interested in what you might call the landscape of conquest: what significance certain places might have had for the people involved in the various events of the conquest. (For a possible comparison, think how the single word 'Hastings' has come to stand for everything that happened at the Norman Conquest.) We don't know whether Assandun had that kind of significance to Cnut and his followers, but there are various bits of evidence to suggest it might have done - I touched on another possible example in my post about a church in Sandwich. This train of thought has encouraged me to try and visit some of the places in question, so today, come with me on a visit to Assandun.

Actually, that's not possible. The site of the battle of Assandun has never been conclusively identified: it’s a common placename, and there are various possible candidates. The Anglo-Saxon Chronicle says it was in Essex, so the two most likely sites are Ashdon and Ashingdon, in the north-west and south-east of Essex respectively. Ashingdon has traditionally been the favoured candidate, but there are strong arguments for both (I personally lean towards Ashdon, for reasons I'll only bore you with if you really want to hear them). I recently paid a flying visit to Suffolk, in the course of which I found myself not far from Ashdon, which is on the border between Suffolk and Essex. This seemed the perfect opportunity for an impromptu pilgrimage. Now, even I wouldn't attempt to plan a pilgrimage to a completely unidentified battlefield, but there's a more tangible relic of Assandun, more worth going in search of. In 1020, a few years after becoming king, Cnut founded a church at the site of the battle. The Anglo-Saxon Chronicle (D) tells us in the entry for 1020:

on þisan geare for se cyng 7 Þurkyl eorl to Assandune, 7 Wulfstan arcebiscop, 7 oðre biscopas, 7 eac abbodas 7 manege munecas, 7 gehalgodan þæt mynster æt Assandune.

[In this year the king and Earl Thorkell went to Assandun, with Archbishop Wulfstan and other bishops, and also abbots and many monks, and consecrated the church at Assandun.]

The people named in this entry indicate the importance of this church to the new Danish regime. Wulfstan is the great archbishop of York, whom we last encountered in 1014 railing against the disloyalty of English people who collaborated with the Danes; he had by this time had quite a change of heart, and become one of Cnut's chief advisers and law-makers. (A lot can happen in six years!) Wulfstan presided at the consecration of the church at Assandun, and one of his surviving sermons, 'On the Dedication of a Church', may well have been preached on this occasion. The other person named by the Chronicle is Earl Thorkell, who was remembered as the hero of Assandun, and whom Cnut had recently made Earl of East Anglia. Any event which could bring these two men together must have been pretty extraordinary. We can also populate the Chronicle's crowd with various people likely to have been there, standing beside Cnut, Thorkell and Wulfstan: Cnut's new wife Emma, Earl Godwine (and his new Danish wife, Gytha?), Æthelnoth (soon to be made Archbishop of Canterbury), the Norwegian earl Eiríkr, newly appointed earl of Northumbria, and more. The church was entrusted to Stigand, a priest probably of Anglo-Danish origin, who though very much a winner after the Danish Conquest was very much a loser after the Norman Conquest. With hindsight, there are many tantalising connections and ironies to be drawn out from this disparate collection of people - English, Danish, Norwegian and Norman - who were between them to shape England's fate throughout the eleventh century: the following year Thorkell would be outlawed, three years later Wulfstan would be dead, and fifty years later the young priest Stigand would be Archbishop of Canterbury, crowning the upstart Godwine's son King of England.

So the church at Assandun is very much worth searching for, and that's what I went to find at Ashdon. In this post I'll take you on a tour of what I saw at Ashdon, but do take everything I say on the understanding that this might not be the site of Assandun at all - I’m not sure I can sustain ‘might be’s all the way through the post, so if I slip into unwarranted certainties you’ll have to forgive me! Perhaps another day I’ll go to Ashingdon and give that possibility its proper due. The awkwardness of this is not lost on me - the innate strangeness of going in search of a long-lost battle-site is only exacerbated by the idea that I might have been doing so in completely the wrong corner of Essex, so I do appreciate how absurd this whole venture is. But that's not a bad thing, for two reasons. Firstly, it proves some of the points I made in my first post about the problems of commemorating the Danish Conquest, or indeed any historical event where the sources are more complex than can easily be translated into a modern act of commemoration. And secondly, I'm aware that I went to Assandun to commemorate an event which was itself a commemoration, an act of collective remembering which was public, highly political, and open to multiple interpretations. Was Cnut's foundation of a church at Assandun an act of penance, attempting to make amends for some of the wounds of conquest; a display of mutual reconciliation, with both sides agreeing to put the past behind them; or a victor's monument to a triumphant conquest? Or a combination of all three? (And did Cnut and Thorkell and Wulfstan and the disparate audience all think it was the same thing?) Commemoration is and was problematic in any number of ways - in 1020 or today - and it's not a bad thing to be forced to confront what a strange and difficult thing we're really attempting when we try to commemorate the past.

 

All that said, let me show you what I saw at Ashdon. If Ashdon is Assandun, Cnut's minster would be this church, St Botolph's, which is actually in the nearby village of Hadstock. Why not Ashdon itself? I'll quote the guidebook: "While it is just possible that evidence for an Anglo-Saxon building is encapsulated in Ashdon church, there is nothing to suggest a structure of minster-proportions; hence historians have turned to Hadstock where a large and imposing Anglo-Saxon church cannot fail to command attention. There is no doubt that it was a minster, and of the period in question; it stands on the same 'Hill of the Ash Trees' as Ashdon."


The core of the present church is late Anglo-Saxon, and thus plausibly of the date of Cnut's minster. It's worth noting that St Botolph, the dedicatee of the church, was one of the saints in whom Cnut took an interest; Cnut was responsible for the translation of Botolph's relics to Bury St Edmunds, where he founded a church on the anniversary of the Battle of Assandun in the 1030s. There's some suggestion there was a shrine to Botolph here, not just a dedication - the archaeologists talk about traces of an empty Saxon grave in the fabric of the south side of the church.


The church stands in an attractive spot, on a more impressive hill than I was able to capture with a photograph. From the gate of the porch the churchyard slopes down towards the village of Hadstock, which consists of a few houses around a little village green.


The church has gone through various phases of rebuilding, but there are several parts of it which appear to be essentially unchanged since the eleventh century. Behind the fifteenth-century porch...


...is a late Saxon doorway.




The decoration around this doorway, I'm reliably informed, is from the early eleventh century. The ornament is fairly worn on the front-facing side, though still clear:



And on the insides of the doorway it looks as if it could have been carved yesterday, rather than 1000 years ago.





The door itself is interesting too: according to the church guide, it's been dated by dendrochronology to c.1034-1042, making it the oldest door in England still in use. And very solid and ancient it feels. It's also one of a number of church doors associated with a gruesome folk-tradition: that it was once covered with the tanned skin of a Dane who had been flayed for stealing from the church, and had his skin nailed to the door in punishment. Needless to say, bits of the 'skin' have been tested and shown to be nothing more than cured cowhide. As I said, this bizarre story is attached to several English churches, but it's intriguing to find any oral tradition linking this particular church to Danes.


(15 pictures and we've only just made it inside the door! Hope you don't have anything better to do with your day...)


It's a plain but pleasing church, white-walled and light with a narrow nave. It's the nave which is the Saxon core of the church, apparently. Just in the corner of the picture above you can see the font, of which the base is 'possibly Saxon'.


Lots of fonts are 'possibly Saxon', but one can't help wondering, is this the font in which poor Stigand performed his first baptisms?


Other traces of the Saxon church are the four high, cobwebby windows in the nave.



In the eleventh-century church there was a stone tower above this crossing, but this had collapsed by the middle of the thirteenth century. The chancel is Victorian, but the two transepts preserve more of the older building.


With a mind full of Assandun, I was a bit startled to see a Danish flag – had some Cnut-loving pilgrims been here before me? It transpired that its presence was nothing to do with Cnut’s Danes at all; it commemorates links between this church and St Botolph's Cathedral in Aalborg. So nothing more than a fortuitous coincidence, apparently. It’s a particularly apt one, though, because it was at Assandun that the Danes bore into battle (according to legend) a famous and unusual flag of their own: a plain white silk standard, upon which would magically appear in time of war a black raven. If the bearers of the standard were to be victorious, the raven would flap its wings and clap its beak; if they were to lose, it would droop. At Assandun, says the Encomium, the raven was exultant; Thorkell read the omen rightly and encouraged his men: “Let us fight manfully, comrades, for no danger threatens us; the restless raven of the prophetic banner bears witness.” Inspired by this, the Danes rushed on to victory. This reference to the raven banner comes straight out of Scandinavian legend, and specifically legends associated with the most famous Danish conquerors of England, the sons of Ragnar Lothbrok. Not the kind of flag you'd want to hang in an English church!

On the south side there's more of that carving around the opening to the transept:



Perhaps a few strokes of carving on stone don't seem all that exciting to you, but there are precious few bits of stone, or of anything, really, which we can imagine being seen by the eyes of Cnut and Wulfstan and Thorkell.



The south transept:


The war memorial, so familiar a sight in English churches, struck me particularly here, since Cnut’s minster was, of course, a war memorial too. This one was installed in 1920, exactly 900 years after Cnut's, because however much has changed in nine centuries, some things don't change.

The Roll of Honour for the English side at Assandun is given by the Anglo-Saxon Chronicle:
Þa wearð þær ofslægen Eadnoð biscop, 7 Wulfsie abbod, 7 ælfric ealdorman, 7 Godwine ealdorman, 7 Ulfkytel of Eastenglan, 7 æþelward ælfwines sunu ealdormannes, 7 eall seo duguð of Angelcynnes þeode.
'There Bishop Eadnoth was killed, and Abbot Wulfsige, and Ealdorman Ælfric, and Ealdorman Godwine, and Ulfkytel of East Anglia, and Æthelweard, the son of Ealdorman Ælfwine, and all the best of the English nation.'

We don't know the names of those killed on the Danish side.


A few assorted shots:



The white walls and the hanging lamps made me think, perhaps only by association by ideas, of the church at Jelling, where Cnut’s grandfather commemorated bringing Christianity to Denmark. (There is a superficial resemblance!) If only Cnut had erected a stone monument rather than a minster church, we might not have so much trouble finding the site of Assandun...



There are a few bits of masonry just lying around; the north transept is like a museum of old books and unidentified lumps of stone:



The foundations of the Saxon chancel lie under the Victorian one, so that remains a mystery:

Looking back from the chancel:


(Where did Wulfstan stand to preach his sermon?)

And so, via that wonderful door, we go back out into the sunshine.




Such an English view!


So, that's the church. Where to find the battlefield? I'm afraid this is where things get hopelessly speculative, and really, kind of absurd. Because not only does no one really know where the battle site might be (if it's near Ashdon), on the day I visited Hadstock I had nothing to go on but this description from the local history website:
A local county history of Cambs reports that weapons were found in Red Field in the 1850s when the railway cutting was dug, 'presumably the relic of some skirmish between Saxon and Dane', but there is no official record and one would expect the odd weapon to be found almost anywhere in East Anglia after all the Viking raids... There used to be a small pasture on the corner of the Bartlow Road at the junction with Chalky Lane. According to the late Ernie and Joe Freeman, this was called Traitors' Field and it was unlucky to plough it because it was where Eadric Streona and his men held back from the battle and betrayed Edmund and the English.

This seemed marginally better than nothing, so that's where I went. But since I was lacking a properly detailed map (it was an impromptu visit, remember), I'm not even really sure if the field I went to, among the many fields around, was actually the one this website was describing. (By this point the whole expedition had become a lesson in how not to do a field-trip, to the point of almost being an unfortunate metaphor for the wild goose chase of academic study. I promise I usually do my research more meticulously than this!)

Anyway, I followed the map I had, and found a lane:


On the slope of a hill which is (I think) called Haw's Hill:


There's nothing around but farmland and fields, as far as the eye can see. I think this is the above-mentioned Traitors' Field:


The lane leads to a point of high ground above the River Granta, where there's a ford leading into the Red Field. 'Red indicates a battle site' said the church guide, optimistically.


Unlike Hastings, there's no visitor centre here, no audio tour, no English Heritage signage - maybe not even a battlefield. But even if there were, it would still just be a field. Everything else is all in the mind and the memory.


If you'd read this far in the post, I admire and congratulate and slightly pity you. Your reward will be a bit of actual, incontrovertible Assandun history. Because on the same trip, pre-planned and therefore properly pre-researched, I went to Ely - and in Ely Cathedral is buried the most high-profile casualty of Assandun, Eadnoth, Bishop of Dorchester.


This chapel at the far end of Ely Cathedral, now strangely empty and denuded of its medieval statues, is the final resting-places of seven prominent men of late Anglo-Saxon England, whose bones lie in chests behind this monument. They were Ely's chief patrons and benefactors, highly valued in the twelfth century, when the Liber Eliensis was written. Their remains were removed from the Saxon church into the choir of the Norman one, and eventually into the chantry chapel of a sixteenth-century Bishop of Ely. There they lie, barely mentioned in the guidebook and barely glanced at by the stream of tourists who entered the chapel while I was there. Perhaps it was the flamboyant eighteenth-century Latin inscriptions which put the tourists off; in which case it's a shame, because behind these memorials are people associated with some of the most powerful words in English literature.


The Liber Eliensis says Bishop Eadnoth went to Assandun with a group of monks 'to pray for the army', and was killed while he was singing mass (it's possible he was in fact just fighting on the English side); 'first his right hand was cut off for the sake of a ring, then his whole body was cut to pieces'. His body was retrieved from the battlefield and buried at Ely, where he was considered a martyr. Four years before his death, Eadnoth himself had been responsible for retrieving the body of St Alphege after he was killed by Thorkell's army - which makes his own fate particularly poignant.


Buried beside Eadnoth is the victim of Vikings best-known to students of Old English poetry: Byrhtnoth, Ealdorman of Essex, killed in battle at Maldon in 991, and hero of the poem of that name. Byrhtnoth died in what is often considered the first battle of the Danish Conquest, Eadnoth in the last, and here they are together. I wonder if anyone at Assandun on the day the church was consecrated had the words of The Battle of Maldon ringing in their ears, whether Byrhtnoth's bold defiance of the Danes or the desperate last stand of his men: Hige sceal þe heardra, heorte þe cenre, mod sceal þe mare, þe ure mægen lytlað...

And buried beside Eadnoth and Byrhtnoth at Ely, as if things couldn't get any more poignant, is Archbishop Wulfstan himself. He must surely have been thinking of Eadnoth - and who knows, maybe of Byrhtnoth too - on the day he consecrated the church at Assandun.

No 'cæsus a Danis' for Wulfstan; he died peacefully in 1023, and was buried by his own desire at Ely. It's Wulfstan who in his Sermo Lupi gives us the most memorable picture of England under Danish attack, where he describes in a thundering series of alliterating doublets the disasters which have befallen the country:

Ne dohte hit nu lange inne ne ute: ac wæs here and hungor, nu bryne and blodgyte on gewelhwylcan ende oft and gelome, and us stalu and cwalu, stric and steorfa, orfcwealm and uncoþu, hol and hete, and rypera reaflac derede swyþe þearle.

Nothing has prospered now for a long time, at home or abroad; but there was harrying and hunger, now burning and bloodshed in every place often and frequently, and theft and death, plague and pestilence, death of cattle and disease, malice and hatred, and the robbery of pillagers have sorely afflicted us.

In his sermon for the consecration of a church he talks about a king and his witan going to dedicate a church together, putting aside envy and hatred, and finding in the process another of those alliterative doublets: unity mid sibbe and mid some, 'with peace and with reconciliation'. Perhaps that's what Wulfstan sought at Assandun.