Doesn't it just. Here are two poems which don't have much in common except that they offer the only reliable comfort in this lonely world: sleep and oblivion.
No worst, there is none. Pitched past pitch of grief,
More pangs will, schooled at forepangs, wilder wring.
Comforter, where, where is your comforting?
Mary, mother of us, where is your relief?
My cries heave, herds-long; huddle in a main, a chief
Woe, wórld-sorrow; on an áge-old anvil wince and sing —
Then lull, then leave off. Fury had shrieked 'No ling-
ering! Let me be fell: force I must be brief."'
O the mind, mind has mountains; cliffs of fall
Frightful, sheer, no-man-fathomed. Hold them cheap
May who ne'er hung there. Nor does long our small
Durance deal with that steep or deep. Here! creep,
Wretch, under a comfort serves in a whirlwind: all
Life death does end and each day dies with sleep.
This is Ian Bostridge singing Benjamin Britten's setting of Louis MacNeice's poem 'Cradle Song for Eleanor'.
Sleep, my darling, sleep;
The pity of it all
Is all we compass if
We watch disaster fall.
Put off your twenty-odd
Encumbered years and creep
Into the only heaven,
The robbers’ cave of sleep.
The wild grass will whisper,
Lights of passing cars
Will streak across your dreams
And fumble at the stars;
Life will tap the window
Only too soon again,
Life will have her answer –
Do not ask her when.
When the winsome bubble
Shivers, when the bough
Breaks, will be the moment
But not here or now.
Sleep and, asleep, forget
The watchers on the wall
Awake all night who know
The pity of it all.